La casa y el mundo: O cómo abrir las puertas del cine de Pollet

Hasta la fecha no se ha celebrado una retrospectiva integral de Jean-Daniel Pollet, sus películas tampoco han salido demasiado de Francia. Cuenta la anécdota que precisamente cuando el parisino Centro Pompidou celebraba una retrospectiva en su honor, tuvo la mala fortuna de coincidir con la huelga general de 2001. Desconocemos hasta qué punto se pudieron ver todas o solo una parte de sus películas aquellos días de octubre de principios de siglo, pero lo cierto es que por unos motivos u otros, el cine de Pollet, fallecido en 2004, permanece como uno de los tesoros mejor guardados del cine francés.

JDPollet

Programado por el cineasta y docente Guillermo G. Peydró, miembro del comité de selección de Punto de Vista, el ciclo titulado La casa y el mundo recupera una importante selección de su obra. A lo largo de ocho sesiones desvelará el enigmático lenguaje cinematográfico de Pollet, recluido tras 1989 en su finca de la Provenza debido a un accidente de tren, desde donde construyó un cine en permanente transformación, cuya reescritura y repetición nos obliga a repensar constantemente. En un texto que se puede encontrar en el catálogo del festival, Peydró lo presentaba de la siguiente forma.

El cine de Jean-Daniel Pollet es una invitación al viaje, dentro de un equilibrio de opuestos en permanente tensión: inmovilidad y trance, rostro y paisaje, imagen y palabra, viaje y encierro. ¿Cómo pensar la filmografía de Pollet? Quizá con la clave del permanente trabajo de reescritura, de montaje a partir de unas pocas piezas repetidas obsesivamente, como Cézanne repitió su montaña Saint-Victoire: siempre la misma, siempre diferente.

Las sesiones propuestas dialogan en dípticos formados por opuestos, del mismo modo que lo hace su cine: entre la evasión el encierro, el agua y el fuego, la enfermedad y la belleza, el testamento y la metamorfosis. Para cerrar esta serie de programas dobles contaremos con la presencia de su gran amigo y colaborador más íntimo, Jean-Paul Fargier, que presentará en Punto de Vista el estreno mundial de Jean-Daniel, parle moi encore!, su película sobre Pollet para la mítica serie documental francesa Cinéastes de notre temps. Como vínculo más allá del cine, o acaso aquel que le de sentido, seremos testigos de su amistad, que recuerda en un texto también presente en el catálogo, del que recuperamos un extracto.

Mi amigo Poulos, por Jean-Paul Fargier:

Para él la amistad no debía mirar hacia el pasado, sino hacia el futuro. Pollet no era prolijo en recuerdos. Cuando nos encontrábamos, era difícil sacarle una anécdota sobre sus films anteriores. En cambio, en su conversación abundaban los proyectos. Todo interlocutor mínimamente amistoso, o sobre todo con algo de admiración, se convertía para él en una fuerza poderosa con la que poder intercambiar las ideas que brotaban de su cabeza y que exponía con la esperanza de atraerle y ganarle para sus proyectos de futuro. Y entonces, cuando atisbaba una luz en ese interlocutor, le pedía que le ayudara a desarrollar «con él» ese fuego naciente. Todo amigo era, en la práctica, un colaborador potencial. En todos los estados posibles. Guion, producción, realización, montaje, música.

Yo nunca fui tan amigo suyo como cuando escribí «con él» La subida al Mont Ventoux. Nos llamábamos por teléfono por lo menos una vez al día y nos mandábamos tres o cuatro faxes en los que me reenviaba sus tachaduras o no a mis últimos desarrollos (diálogos, situaciones). Escribir «con él» significaba que yo redactaba las escenas, solo, en París, después de nuestras largas conversaciones sin orden ni concierto en la cocina de su casa, en Cadenet, o en el Bar des Boules, en Cucuron (y aquí era siempre él quien pagaba la cuenta), cuando acudía a visitarle cada dos meses y después me volvía con una maleta llena de nuevas «ideas». Me encantaban esas idas y venidas de periodicidad variable, para un film que nunca se rodó, pero del que nació el proyecto de Jour après Jour. Días de amistad infinita, de presencia hasta en la ausencia.

I. Evasión | La acumulación de la memoria

Sesión 1: Lunes 8 a las 17:00 (con la presencia de Boris Pollet) y martes 9 a las 22:30 en Sala Corona.

Bassae (Jean-Daniel Pollet, 1964) 8’

Méditerranée (Jean-Daniel Pollet, 1963) 42’

Méditerranée es un poema de 35.000 kilómetros que intenta esbozar por permutaciones de imágenes una definición del Mediterráneo, de sus ritos y espacios, de su memoria. En el centro de todas sus imágenes hay un templo: Bassae.

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GRECIA_Bassae

II. Encierro | La enfermedad y la isla

Sesión 2: Martes 9 a las 17:00 en Sala Corona

Le Horla (Jean-Daniel Pollet, 1966) 36’

L’Ordre (Jean-Daniel Pollet, 1974) 42’

Filmar la esquizofrenia y la lepra. Dos películas en espejo encargadas por un mismo laboratorio farmacéutico sirven a Pollet para crear un díptico donde oponer realidad y ficción, pensar la isla como lugar de encierro, desplazar los conceptos de belleza y justicia.

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L'ordre

III. Gestos | No se juega con el fuego

Sesión 3: Martes 9 a las 20:00 en Sala Corona

Les morutiers (Jean-Daniel Pollet, 1966) 20’

Pour mémoire (Jean-Daniel Pollet, 1979) 58’

Una película de agua contra una de fuego. Una película sobre la aparición de los barcos-fábrica, de los barcos-leviatán, frente a una película sobre la desaparición de fábricas centenarias, suspendidas entre la mitología clásica y la ciencia ficción.

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PourMemoire-POLLET

IV. Testamento | La repetición del tiempo

Sesión 4: Miércoles 10 a las 17:00 (con la presencia de Boris Pollet) y viernes 12 a las 22:30 en Sala Corona

Contretemps (Jean-Daniel Pollet, 1988) 100’

Contretemps, concebida como película testamento, lanza la obra de Pollet hacia nuevas posibilidades: iniciando un nuevo viaje inmóvil, el cineasta comienza a recorrer y repensar su filmografía en la mesa de montaje, y todas sus imágenes anteriores se convierten en materiales de trabajo con nuevas significaciones, en una permanente metamorfosis.

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contretemps

SESIÓN 5: Miércoles 10 a las 22:30 en Sala Corona

Ceux d’en face (Jean-Daniel Pollet, 2000) 85’

Último film de ficción de Pollet, Ceux d’en face es el contraplano de su autorretrato creativo en Contretemps. En él, una mujer se enfrenta, como el propio cineasta desde Méditerranée, a la tarea de reordenar imágenes del mundo; optará por organizarlas a partir de unas pocas imágenes-faro, alrededor de las cuales el resto gravitará a modo de planetas.

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Ceux d'en face

V. Objetos | Rehenes del mundo silencioso

SESIÓN 6: Jueves 11 a las 22:30 y sábado 13 a las 17:00 en Sala Corona

Dieu sait quoi (Jean-Daniel Pollet, 1994) 84’

En 1989 Pollet sufre un grave accidente de tren que le deja recluido de por vida en su finca de la Provenza. Incapaz de viajar, Pollet desarrollará sin salir de esta casa una serie de experimentos decisivos que harán culminar su filmografía. El más importante, y uno de los mayores logros de su carrera, es Dieu sait quoi, una película fundamental para pensar la adaptación cinematográfica de poesía.

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Dieu-sait-quoi -Pollet

SESIÓN 7: Viernes 12 a las 17:00 en Sala Corona (con la presencia de Jean-Paul Fargier)

Jour après jour (Jean-Daniel Pollet, Jean-Paul Fargier, 2006) 66’

Diez años después de Dieu sait quoi, Pollet realiza su último proyecto, que será póstumo: si allí transfiguraba los objetos de su entorno desde la imagen en movimiento, aquí lo hará desde la imagen fija, la fotografía. Su guionista y colaborador Jean-Paul Fargier será el encargado de terminar la película tras la muerte de Pollet.

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polletjour

CODA. Pollet, cineasta de nuestro tiempo

SESIÓN 8: Viernes 12 a las 20:00 en Sala Corona (con la presencia de Jean-Paul Fargier)

Jean-Daniel, parle moi encore! (Jean-Paul Fargier, 2016) 58’

Jean-Daniel, parle moi encore! es el retrato de Jean-Daniel Pollet que Jean-Paul Fargier ha realizado para la prestigiosa serie Cinéastes de notre temps, un retrato que confirma la importancia de Pollet para la historia del cine en la segunda mitad del siglo XX. Punto de Vista tiene el honor de presentar su estreno mundial.

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Jean-Daniel, parle moi encore!

Descarga la programación de #PdV2016 en el siguiente enlace
Esta entrada fue publicada en 2016 y etiquetada , , , , . Guarda el enlace permanente.

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