Dia Noche

Marcos Miján vive en China desde 2005, donde trabaja para los medios. Aunque no parece demasiado contento con esos quehaceres. Con esta película, busca mostrar la realidad de ese país con un enfoque que se aparte de lo que vemos normalmente en los telediarios. Esto lo ha conseguido.

Dada su situación, decidió que el punto de vista más sincero era el de los extranjeros. A través de sus conversaciones, intenta captar esa China desconocida: para nosotros y, aunque suene paradójico, para él mismo.

Cuando el espectador avanza en el visionado, se da cuenta de que Miján no deja “respirar” a las imágenes. La paciencia que, según asegura, tuvo para filmar todo lo que ocurre no se refleja en el filme. No da tregua a la contemplación: todo se sucede con gran dinamismo, lo que choca con el concepto que tenemos en occidente sobre los países asiáticos.

El encadenamiento de imágenes es interesante, los encuadres están cuidados, todas las historias tienen un conflicto claro. En general es una película correcta. Pero no logra emocionar… ¿por qué?

Tiene un conflicto inicial que no se explota ni desarrolla, además de centrar el relato en varios personajes sin una direccionalidad clara. El director se excusa diciendo que hay cierta intencionalidad en ese retrato reconstruido, porque refleja su propia incomprensión sobre el país.

Por otra parte, somos algunos los que hemos percibido cierta puesta en escena; sin embargo, Miján asegura que no hay guión. Será cierto, sí, aunque como bien se suele decir “no sólo tiene que ser verdad, sino parecerlo”. Y este no es el caso.

Parecería que se terminó la realización de la película por algún tipo de presión externa: como ya he dicho, los conflictos sembrados no se explotan y da la sensación de no haber dicho nada. Como si fuese una suerte de fotografía agradable en el momento de visionado, pero que se olvida pronto.
Sinceramente, tampoco estoy orgullosa de esta entrada de blog. Como bien dijo Rilke: “Las obras de arte viven en medio de una soledad infinita, y a nada son menos accesibles como a la crítica. Sólo el amor alcanza a comprenderlas y hacerlas suyas: sólo él puede ser justo para con ellas.” Pero el estilo encorsetado de “DiaNoche” ha dado lugar a eso mismo: una entrada-crítica encorsetada.

María Iserte Alfaro

Esta entrada fue publicada en 2010, Críticas, Sección oficial. Guarda el enlace permanente.

52 respuestas a Dia Noche

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  44. I’ll gear this review to 2 types of people: current Zune owners who are considering an upgrade, and people trying to decide between a Zune and an iPod. (There are other players worth considering out there, like the Sony Walkman X, but I hope this gives you enough info to make an informed decision of the Zune vs players other than the iPod line as well.)

  45. This is getting a bit more subjective, but I much prefer the Zune Marketplace. The interface is colorful, has more flair, and some cool features like ‘Mixview’ that let you quickly see related albums, songs, or other users related to what you’re listening to. Clicking on one of those will center on that item, and another set of “neighbors” will come into view, allowing you to navigate around exploring by similar artists, songs, or users. Speaking of users, the Zune “Social” is also great fun, letting you find others with shared tastes and becoming friends with them. You then can listen to a playlist created based on an amalgamation of what all your friends are listening to, which is also enjoyable. Those concerned with privacy will be relieved to know you can prevent the public from seeing your personal listening habits if you so choose.

  46. Hands down, Apple’s app store wins by a mile. It’s a huge selection of all sorts of apps vs a rather sad selection of a handful for Zune. Microsoft has plans, especially in the realm of games, but I’m not sure I’d want to bet on the future if this aspect is important to you. The iPod is a much better choice in that case.

  47. I’ll gear this review to 2 types of people: current Zune owners who are considering an upgrade, and people trying to decide between a Zune and an iPod. (There are other players worth considering out there, like the Sony Walkman X, but I hope this gives you enough info to make an informed decision of the Zune vs players other than the iPod line as well.)

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  49. If you’re still on the fence: grab your favorite earphones, head down to a Best Buy and ask to plug them into a Zune then an iPod and see which one sounds better to you, and which interface makes you smile more. Then you’ll know which is right for you.

  50. Apple now has Rhapsody as an app, which is a great start, but it is currently hampered by the inability to store locally on your iPod, and has a dismal 64kbps bit rate. If this changes, then it will somewhat negate this advantage for the Zune, but the 10 songs per month will still be a big plus in Zune Pass’ favor.

  51. The Zune concentrates on being a Portable Media Player. Not a web browser. Not a game machine. Maybe in the future it’ll do even better in those areas, but for now it’s a fantastic way to organize and listen to your music and videos, and is without peer in that regard. The iPod’s strengths are its web browsing and apps. If those sound more compelling, perhaps it is your best choice.

  52. The new Zune browser is surprisingly good, but not as good as the iPod’s. It works well, but isn’t as fast as Safari, and has a clunkier interface. If you occasionally plan on using the web browser that’s not an issue, but if you’re planning to browse the web alot from your PMP then the iPod’s larger screen and better browser may be important.

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