Kazetaritza ikasi zuen eta Madrilen hasi zen lanean, erreportari moduan, Canal Plus eta CNN+ kateetako albistegietan. Erredaktorea izan da kultura-saioetan, eta literaturaren inguruko saioen koordinatzailea Telemadrid (Los Cinco Sentidos) eta Euskal Telebista (Sautrela) kateetan. Gastronomiaren inguruko dokumentalen arloan, ETBrako Sukalde Maisuak saioa idatzi eta zuzendu du, Arzak, Subijana, Aduriz, Berasategui eta Arbelaitz sukaldariek parte hartu dutela.
2002. urtetik, bidaia-erreportajeak idazten ditu El País egunkariko El Viajero eranskinean, eta Enrique Vila-Matas idazleak bermatutako "Las ciudades invisibles" izeneko argazki-proiektuaren egilea da. 2009. urtetik dokumentalen gidoi-irakaslea da Nafarroako Unibertsitateko Ikus-entzunezko gidoien masterrean, eta Argazki Abstraktuen Tailer bat zuzendu du Txillida-Leku Museoan, haurrentzat.
Bere lehen film luzea 2012. urtean egin zuen: La Casa Emak Bakia. Hainbat zinemaldietan parte hartu du, eta zenbait sari ere irabazi ditu, hala nola Montrealgo RIDM zinemaldiaren eta El Bolsóngo (Argentina) zinema esperimentaleko nazioarteko jaialdiaren aipamen bereziak.
Informazio gehiago: www.oskaralegria.com
Diana Toucedo studied a degree in Film and Audiovisual Communication, specialising in editing at ESCAC (Film and Audiovisual School of Catalonia, Barcelona University) in 2008, and went on to do a Masters in Contemporary Film and Audiovisual Studies at the Pompeu Fabra University in 2011 She made her first feature-length documentary as an editor in conjunction with ESCAC, Tragovi (2009), which was filmed in Bosnia-Herzegovina. She spent two years working at the Mariscal Studio on the editing of the animated film, Chico and Rita (2010), directed by Fernando Trueba and Javier Mariscal, and she has worked with the prestigious designer on numerous visual works. Alongside the Catalan sculptor, Jaume Plensa, she has edited and directed the images of a visual sculpture in the post-production phase in Seoul, Korea. Simultaneously, she has worked on several occasions as director: Ser de Luz, with material by Gustav Deutsch (2009) and Tres tiempos tres gestos, on the work of Naomi Kawase (2010). She worked with Isaki Lacuesta on the editing of his correspondence film with Kawase, In Between days (2009), for CCCB and All the Night Long (2010) for TCM. The documentary was highly praised by critics at the San Sebastian Film Festival ("through exquisite editing, Gardner talks to herself", or "sophisticated editing that makes past and present talk"). La noche que no acaba received the award for best documentary of the year at the Spanish Film Festival in Toulouse (2011). She is now directing her first feature-length documentary, Trinta Lumes, in Galicia.
Jorge Tur Moltó
Graduate in Psychology with a Master's in Creative Documentary Making from the Autonomous University of Barcelona (UAB). In 2006, within the Master's course, he directed De function, for which he won different awards, such as the 'Manoel de Oliveira' for the Best International documentary at the Curtas Vila Do Conde International Film Festival in Portugal or the New Authorship Award for Best Director at the Sitges International Catalan Film Festival. His next documentary, Castillo, earned him a Special Mention from the Jury of the Las Palmas International Film Festival. This was followed by Si yo fuera tú, me gustarían los Cicatriz, special mention from the jury at the Dei Popoli Festival in Florence, Diario Ruso, Ja arriba el temps de remenar les cireres and Dime quién era Sanchicorrota, produced by Proyecto X Films and which has been seen in a lot of film festivals. He worked as an assistant director in the fiction field and as a psychologist and coordinator in the audiovisual workshop at a Psychiatric Hospital. He is currently working as a teacher and production coordinator on the Creative Documentary Making Master's Course at the UAB.
His work has been exhibited at other international festivals, such as Visions Du Reél, Doclisboa, Taiwan International Documentary Festival, Bafici, Kassel Documentary Film and Video Festival, Tampere Film Festival or the Mar del Plata Film Festival, as well as at national festivals, such as the Las Palmas de Gran Canaria International Film Festival (within the cycle: 'D-generation. Underground Experiences of Spanish Non-Fiction), Alcine, In-edit -International Musical Documentary Film Festival in Barcelona, Huesca or Zinebi. He has also appeared at cultural centres, such as the Cervantes Institutes in Dublin, Prague, Manchester or Warsaw; at Cultural Centres in Spain, Guatemala, El Salvador, Honduras and the Dominican Republic and the Madrid Fine Arts Circle.
Informazio gehiago nahi izanez gero, ikus-entzunezkoak hedatzen eta ikertzen dituen PLAT plataforman eskura dezakezue.