Termites

Termitas, running symmetrically to Paisaia, will show emerging or little-seen works from our immediate surroundings, by asking the filmmakers to also present materials from their work process. Its name comes from the article by Manny Farber called “White Elephant Art vs. Termite Art” (1962) where we read about those films that “seems to have no ambition towards gilt culture but are involved in a kind of squandering-beaverish endeavor that isn’t anywhere or for anything. A peculiar fact about termite tapeworm-fungus-moss art is that it goes always forward eating its own boundaries, and, likely as not, leaves nothing in its path other than the signs of eager, industrious, unkempt activity.”