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International
Documentary
Film Festival
of Navarra
27.03-01.04.23
Pamplona
Iruña
International
Documentary
Film Festival
of Navarra

14-19.03.22
Pamplona
Iruña
home  |  the festival  |  previous editions  |  2015 edition  |   retrospectives  |  presentation
2015 EDITION

PRESENTATION

Beyond current affairs, film memory, the look across, reflection. Since its first edition, Punto de Vista has known that it is one of the main tasks of a film festival to work very closely with the people, inviting them to think about film and helping them deepen their knowledge. This is why the Festival has always created spaces to focus on names, trends, countries, or movements that are worth having a closer look at.

Right from the beginings, Punto de Vista accepted one of the main responsibilities of any film festival: to perform an educational role for the general public and rescue the memory of film from oblivion. Retrospectives was the section that took up this challenge. At every subsequent edition, Punto de Vista has attempted to raise awareness about the classics, provide access to filmographies under construction and give an airing to work from schools, currents and unknown cinematographies. Retrospectives provide the epicentre of the festival and define its tone, ambition and spirit.

These cycles can revolve around an author or a country or current. At the 2005 edition, for example, the spotlight was turned onto the French director and photographer Raymond Depardon, and in 2010, the work of Jem Cohen took centre stage. In 2006 it was Japan's moment of glory. The Film of a Thousand Years was a retrospective that recovered classic Japanese documentary films from the last 60 years. In the 6th edition, Las afinidades Vigo/Vigo affinities led us to rethink the French non-fiction film of the past decade, whereas Esencial James Benning/The Essential James Benning discovered the work of this American experimental filmmaker in 2009.

Other cycles might be organised around a common denominator, which could be a theme, an anniversary, an ephemerid or an historical event. They are transversal cycles that offer a cross-reading of the history of documentary film. The film-essay was the motif chosen for the 2007 edition. Entitled The thinking form, this cycle was the first retrospective on the contemporary film-essay organised in Spain, and one of the first in Europe. Two years later, in 2009, this section focused on found footage and appropriation in The afterlife of images.

Promoted by
Gobierno de Navarra
Organized by
NICDO
With the aid of
Con la financiación del Gobierno de España. Instituto de la Cinematografía y las Artes AudiovisualesAcción Cultural EspañolaPlan de Recuperación, Transformación y ResilienciaFinanciado por la Unión Europea. NexGenerationEU
With the support of
Ayuntamiento de PamplonaCentro de Arte Contemporáneo de HuarteFundación Caja NavarraGoethe InstitutCanadá InternationalCasa ÁrabeCineteca MadridAsociación de Mujeres Cineastas y de Medios AudiovisualesInstitut FrançaisEmbajada de Portugal en MadridCamões - Instituto da Cooperação e da Língua Portugal
Member of
PantallaIberofestLa MestaThe Red Balloon
Partners
Filmoteca de Navarra
Museo Oteiza
Museo Nacional Centro de Arte Reina Sofía
Elías Querejeta Zine Eskola
Festival de Cine Africano FCAT
Festival Scope
Centre Cinématographique Marocain
Hotel Tres Reyes
Hotel Maisonave
Cineteca Bologna
The Film Foundation
World Cinema Project
Cinemateca Portuguesa
NAPAR
Radio 3
Golem
Filmoteca Española
Antartika
Festivals in Navarre
Punto de Vista
NIFF - Navarra International Film Festival
Navarra, tierra de cine
Ópera Prima
Skimetraje
CTL 59
#LabMeCrazy! Science Film Festival
Festival de Cine y Dentistas
Horror Online Art
FICBE (Festival Internacional de Cortos de Berriozar)
FAN, Festival de Anime de Navarra
Lo que viene
Muestra de cine español
Filmmaking for social change
Muestra Internacional de Cine y Mujeres de Pamplona

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