La pel.lícula

“In 2005, I invited Paul B. Preciado, Marina Garcés, Marisa García, Valeria Bergalli, Deborah Fernández, Eva Serrats and Pamela Sepúlveda to rewatch the film Perros callejeros directed and written by José Antonio de la Loma in 1976. I asked them to give their opinions, comments, thoughts and, with these recordings, we put together an alternative soundtrack that was "screened" together with the film on one of the balconies of the empty city, the labyrinth of scaffolding that housed a series of works by Archivo F.X. on Badia del Vallés, Community in the Fundació Antoni Tàpies Foundation of Barcelona. The sole purpose of all this staging and theatrics was to make those images speak differently: the violence of space in the modern city, the political response to marginal criminals, the productivism of urban lumpen”. — Pedro G. Romero. 

After the screening of the film, Pedro G. Romero and Isabel de Naverán will hold a talk.

Isabel de Naverán (Getxo, 1976) investigates at the intersection between art, contemporary choreography and performance in curatorial, editing and writing projects. She holds a PhD in Art from the University of the Basque Country and is a member of the Artea research group in Madrid. She has edited the books Hacer Historia. Reflexiones desde la práctica de la danza (2010) and Lecturas sobre danza y coreografía (2013). In 2010, she founded Bulegoa z/b – Oficina de arte y conocimiento alongside Leire Vergara, Miren Jaio and Beatriz Caviaulegoa, and worked on the project until 2018. She has been the live arts curator in the Public Activities Department at Museo Reina Sofía since 2017, and has combined her position with a period as associate researcher at Azkuna Zentroa (2021-22). She was involved in different ways in several projects with Pedro G. Romero before they became friends and decided to join forces and work together.