The year is 1500 or 1600. Nathalie went to swim with the dolphins in Egypt, to recover from an operation. Then she went to Ibiza. Her husband works with a mail order furniture catalogue in Paris. Someone accompanies her to Zara. Magdalena reads a written account based on different conversations stolen in the Museo del Prado. As they are detached from their source, these voices appear to form part of a fictitious and disordered compilation that intersects with other disparate conversations in front of the works at this famous art gallery.