The Hudson River Valley, which was one of the leading landscapes chosen by the North American romanticism painters in the middle of the 19th century, is the journey through the air of two drones which put the New York based filmmaker Anton Ginzburg into orbit. With brushstrokes that are now mechanised, the first conclusion is clear: perspective is ended from the sky, things are seen  at, without volume, squashed and without background. The film is a winged flight on two sides with the drones dialoguing with each other and sharing a never seen robotised look towards the exuberant nature of Dutchess County in New York State.