In this film, the director feverishly records the last moments in the life of his mother, as well as her death and the rituals associated with the disposal of her body. Today, this unique documentary in the family film genre affirms its singularity as a result of its connections with nineteenth-century photography, when pictures of dead people were taken for a last memory of them. Also, it questions the clichés of family films, confined to the depiction of happy moments only.