Paisaje Desocupado

Year2015 Duration12' AddressJuan Carlos Quindós de la Fuente

Based on the writings of Jorge Ramos Jular, who analysed Jorge Oteiza’s work in accordance with evolving spatial categories, Quindós tackles the mural of the Apostles as a topographic landscape in which Oteiza’s sculptures occupy a virtual horizontal position, once more looking up to the sky and receiving the rain with open arms, like they did for many years in a nearby ditch. Sculpture and Architecture are diluted in a grey dance under the sleet that is falling on the lens, merging with the wonderful yet shocking pyramidal landscape that Oíza and Laorga prepared: architecture that is homogenous and sharp at the same time. This same “broken” continuity is shown in the editing of the plan sequence, which stumbles forward, in what the eye sometimes misses between the idle gaps or is desperately searching for new reliefs upon which to gaze. Once the attempt to "pull down the wall" has been established or “vacate it” as Oteiza would say, the casual gift of the bells and the blackbirds end up as travel companions.

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Promoted by
Gobierno de Navarra
Organized by
NICDO
With the aid of
Con la financiación del Gobierno de España. Instituto de la Cinematografía y las Artes Audiovisuales Acción Cultural Española Plan de Recuperación, Transformación y Resiliencia Financiado por la Unión Europea. NexGenerationEU
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