Second film miracle: create a metamorphosis of what has been filmed. The Belgian visual artist, king of the artistic manipulation of images, designs a new film through fragments of Rashomon by Akira Kurosawa in which the scene of a sedentary group of samurais and geishas –which in reality tell of a crime- use a mirror effect to become the magical appearance of a chrysalid that uses its wings to finally disappear by vanishing into thin air.