Título
|
Director
|
Año
|
( ( ( ( ( /*\ ) ) ) ) ) |
Charles Fairbanks, Saúl Kak |
2019 |
(nostalgia) |
Hollis Frampton |
1971 |
(Nostalgia) |
Hollis Frampton |
1971 |
¡Arriba España! |
José María Berzosa, Ramón Chao y André Camp |
1976 |
1973 |
Stefan Ivancic |
2014 |
9 secuencias sobre la pantalla |
|
2015 |
A Place of Work |
Margaret Tait |
1976 |
A Portrait of Ga |
Margaret Tait |
1952 |
Aerial |
Margaret Tait |
1974 |
All These New Relations |
Margaret Tait |
1955 |
Around the World with Orson Welles (Pays Basque I + Pays Basque II) |
Orson Welles |
1955 |
Au pays des basques |
Maurice Champreux |
1930 |
Before We Go |
Jorge León |
2014 |
Blessed Be This Place |
Carl Olsson |
2013 |
Calypso |
Margaret Tait |
1955 |
Cochihza |
Khristine Gillard |
2013 |
Colour Poems |
Margaret Tait |
1974 |
Comme des lions de pierre à l'entrée de la nuit |
Olivier Zuchuat |
2012 |
Croquis en Soule |
Hubert Knapp |
1958 |
Descripción de una isla |
Rudolf Thome, Cynthia Beatt |
1979 |
Dos gallinas |
Xiana Gómez-Díaz |
2013 |
Echo Chamber |
Guillermo Moncayo |
2014 |
Eclipse |
Margaret Tait |
1973 |
El canto de la flor |
Otar Iosseliani |
1959 |
El hombre congelado |
Carolina Campo |
2014 |
El otro mapa de Abauntz |
Aitor Gametxo |
2014 |
Ellis Island |
Meredith Monk, Bob Rosen |
1981 |
Encuentros con entidades |
Xiana Gómez-Díaz |
2013 |
Episode of the Sea |
Lonnie Van Brummelen, Siebren de Haan |
2014 |
Garden Pieces |
Margaret Tait |
1988 |
Happy Bees |
Margaret Tait |
1955 |
Haru, Island of the Solitary |
Kanerva Cederström, Riikka Tanner |
1998 |
Huellas |
Diego Gutiérrez, Danniel Danniel |
2014 |
Hugh Macdiarmid |
Margaret Tait |
1964 |
Im Lande der Basken |
Herbert Brieger |
1944 |
Island Song / Island Monologue |
Charlemagne Palestine |
1976 |
Isole Nella Laguna |
Luciano Emmer, Enrico Gras |
1948 |
John Macfadyen (The Stripes in the Tartan) |
Margaret Tait |
1970 |
John y Gena |
Itsaso Arana Baztan |
2012 |
La celosía |
Isidoro Valcárcel Medina |
1972 |
La fundición |
Otar Iosseliani |
1964 |
La invención de lo real |
|
2017 |
La isla desierta |
Sophie Roger |
2014 |
Land Makar |
Margaret Tait |
1981 |
Le chemin d'Ernoa |
Louis Delluc, René Coiffard |
1921 |
Le Complexe de la salamandre |
Stéphane Manchematin, Serge Steyer |
2014 |
Le curé basque de Gréciette |
Hubert Knapp |
1958 |
Letters to Max |
Eric Baudelaire |
2014 |
Lettres du voyant |
Louis Henderson |
2013 |
L'ordre |
Jean-Daniel Pollet |
1973 |
Mambo Cool |
Chris Gude |
2013 |
Man of Aran |
Robert J. Flaherty |
1934 |
Maskaradak |
Jean-Dominique Lajoux |
1980 |
Mor’ vran (El mar de los cuervos) |
Jean Epstein |
1930 |
My Room Via Ancona |
Margaret Tait |
1951 |
No escribiré arte con mayúscula |
Luis Deltell, Miguel Álvarez-Fernández |
2014 |
On the Mountain |
Margaret Tait |
1974 |
Our Terrible Country |
Mohammad Ali Atassi, Ziad Homsi |
2014 |
OUT |
Joan Antúnez |
2014 |
Presentación Revista Secuencias: ¿Para qué sirve un festival? |
|
2015 |
Proyecto D |
Xiana Gómez-Díaz |
2015 |
Rainbow’s Gravity |
Mareike Bernien, Kerstin Schroedinger |
2014 |
Recits d’Ellis Island. Histoires d’errance et d’espoir 1: Traces |
Robert Bober, Georges Perec |
1980 |
Rochers de la Vierge |
Auguste Lumière, Louis Lumière |
1896 |
Sanã |
Marcos Pimentel |
2013 |
Semangat |
Chu-Li Shewring, Adam Gutch |
2010 |
Sólo te puedo mostrar el color |
Fernando Vílchez Rodríguez |
2014 |
South to North |
Antoine Boutet |
2014 |
Super Unit |
Teresa Czepiec |
2014 |
The Blazing World |
Jessica Bardsley |
2013 |
The Length |
Iván Torres Hdez. |
2014 |
The Look of the Place |
Margaret Tait |
1981 |
The Orquil Burn |
Margaret Tait |
1955 |
These Walls |
Margaret Tait |
1974 |
Three Portrait Sketches |
Margaret Tait |
1951 |
Two Islands |
Jan Ijäs |
2013 |
Últimas palabras |
Werner Herzog |
1968 |
Un pequeño monasterio en Toscana |
Otar Iosseliani |
1988 |
Una nueva generación de productores toma la palabra: hacer cine sigue siendo posible (pese a todo) |
|
2015 |
Vacaciones |
Xiana Gómez-Díaz |
2013 |
Viejas canciones georgianas |
Otar Iosseliani |
1969 |
Way Jambu |
Manu Uranga |
2011 |
Where I Am Is Here |
Margaret Tait |
1964 |
Working to Beat the Devil |
Chu-Li Shewring, Adam Gutch |
2014 |
Y la luz se hizo |
Otar Iosseliani |
1989 |
Ziburu. Conferencia de Bernardo Atxaga |
|
2015 |
025 SUNSET RED |
LAIDA LERTXUNDI |
2016 |
1 Metre |
Nicolas Deveaux |
2018 |
10 |
Marta Jurkiewicz |
2014 |
18 MP |
Amir Muhammad |
2006 |
2 de octubre/Lejos de Tlatelolco |
Los Ingrávidos |
2013 |
24 frames per second |
Takahiko Ilmura |
1975 |
26 rue Saint-Fargeau |
Margaux Guillemard |
2017 |
30Km |
Simon Faithfull |
2003 |
48 |
Susana de Sousa Dias |
2009 |
5 October |
Martin Kollar |
2016 |
57,600 Seconds of Invisible Night and Light |
Flatform |
2009 |
592 metroz goiti |
Maddi Barber |
2018 |
592 metroz goiti |
Maddi Barber |
2018 |
6/64 Mama und Papa |
Kurt Kren |
1964 |
60 Seconds |
Christoph Girardet |
2002 |
6horts |
Amir Muhammad |
2002 |
76 minutos y 15 segundos con Abbas Kiarostami |
Seyfolah Samadian |
2016 |
778 – LA CHANSON DE ROLAND |
Olivier van der Zee |
2009 |
918 GAU |
Arantza Santesteban |
2021 |
A Depression in the Bay of Bengal |
Mark LaPore |
1996 |
A Diary for Timothy |
Humphrey Jennings |
1945 |
À la recherche de Christian B. |
Alain Fleischer |
1989 |
A la sombra de Perkain |
Fernando Pagola |
2010 |
A leaf is the sea is a theatre |
Jonathan Schwartz |
2017 |
A MEMORY OF JOHN EARL |
John Earl McFadden |
1968 |
A Month of Single Frames |
Lynne Sachs, con y para Barbara Hammer |
2019 |
A Mystery Inside of a Fact |
Jonathan Schwartz |
2016 |
A Preface to Red |
Jonathan Schwartz |
2010 |
A rapa das bestas |
Jaione Camborda |
2017 |
A set of miniatures = A kind of quiet, an aging process and a certain worry |
Jonathan Schwartz |
2014 |
A smile is not a paradigm |
Magdalena Orellana |
2018 |
A Spell to Ward Off the Darkness (Work in Progress) |
Ben Rivers, Ben Russell |
2013 |
A Tongue Called Mother |
Eva Giolo |
2019 |
A Very Crafty and Tricky Contrivance |
Greta Alfaro |
2012 |
Abecedario/C |
Los Ingrávidos |
2014 |
Abendglitzern |
Helga Fanderl |
2012 |
Activísimo Pamplona |
Iván Argote |
2019 |
ADYNATA |
Leslie Thornton |
1983 |
África 815 (fragmento) |
Pilar Monsell |
2014 |
AGARRANDO PUEBLO |
Luis Ospina, Carlos Mayolo |
1977 |
Age Is... |
Stephen Dwoskin |
2012 |
Agiña |
María Sánchez |
2019 |
Alain Fleischer |
Alain Fleischer |
2002 |
Alam Laysa Lana / A World not Ours |
Mahdi Fleifel |
2012 |
ALDA |
Viera Čákanyová |
2009 |
Alguna cosa |
Elena Walf |
2015 |
Aliens |
Luis Lopez Carrasco |
2017 |
ALL WATER HAS A PERFECT MEMORY |
Natalia Almada |
2001 |
All'ombra della croce / Under the Shadow of the Cross / A la Sombra de la Cruz |
Alessandro Pugno |
2012 |
ALLURES |
Jordan Belson |
1961 |
ALTIPLANO |
Malena Szlam |
2018 |
Am Meer |
Ute Aurand |
1995 |
AMA LUR |
Néstor Basterretxea Arzadun, Fernando Larruquert Aguirre |
1968 |
Amaryllis – a study |
Jayne Parker |
2020 |
AMERICA´S BEST |
Michael Jacobsohn |
1971 |
Among the eucalyptuses |
Robert Beavers |
2017 |
Among Us |
Guido Hendriks |
2014 |
Amor siempre |
Maider Fernández |
2018 |
An Object at Rest |
Seth Boyden |
2015 |
Ancora lucciole |
Maria Elorza |
2018 |
And the Image Gazes Back |
belit sağ |
2014 |
Animals moving to the sound of drums |
Jonathan Schwartz |
2013 |
Another Kind of Girl |
Khaldiya Jibawi |
2015 |
Antigravitacija (Antigravitación) |
Audrius Stonys |
1995 |
ANTONIA LLOBET SANS |
Lorenç Llobet Gràcia |
1950 |
Apiyemiyekî? |
Ana Vaz |
2019 |
Apologies |
Anne Charlotte Robertson |
1986 |
Apparatus Sum |
Hollis Frampton |
1972 |
Apparition |
Ismaïl Bahri |
2019 |
Apuda de Shouhou / Apuda |
He Yuan |
2010 |
Aquí se construye |
Ignacio Agüero |
2000 |
Aquí y allá |
Melisa Liebenthal |
2020 |
Arabesque for Kenneth Anger |
Marie Menken |
1958 |
Aranzazu |
Jorge Oteiza |
1969 |
Árboles |
Colectivo Los hijos |
2013 |
Arrangement of Skin |
Karsten Krause |
2016 |
As Canções |
Eduardo Coutinho |
2011 |
As far as we could get |
Iván Argote |
2017 |
Ascension |
Stan Brakhage |
2001 |
Asparagus |
Suzan Pitt |
1979 |
AT LAND |
MAYA DEREN |
1944 |
At the Academy |
Guy Sherwin |
1974 |
At the Edge of Russia |
Michal B. Marczak |
2010 |
Atlantiques |
Mati Diop |
2009 |
Atlas |
Jakub Korselt |
2013 |
Audience |
Barbara Hammer |
1982 |
Autumn fog (performance) |
Lynn Loo |
2010 |
AVALANCHE#10 |
|
2018 |
Avant d'oublier Héliopolis |
Valentin Noujaïm |
2019 |
Avant pétalos grillados |
Velasco Broca |
2007 |
Aviary |
Katherin MacInnis |
2013 |
Ayhan and me - Ayhan ve ben |
belit sağ |
2016 |
B-52 |
Hartmut Bitomsky |
1998 |
BABAKIUERIA |
Don Featherstone |
1986 |
Backyard |
Khaled Abdulwahed |
2018 |
Bagatelle |
Helga Fanderl |
2017 |
Baleh-baleh |
Pascale Bodet |
2020 |
Baronesa |
Juliana Antunes |
2017 |
Barque sortant du port - Vue N° 9 |
Louis Lumière |
1897 |
Barriers of Separation |
Raghad Al Khatib |
2015 |
Basker: Una película del norte de España |
Dan Grenholm, Lennart Olson |
1963 |
Bassae |
Jean-Daniel Pollet |
1964 |
Bat El Drinking Water and Other Signs |
Jonathan Schwartz |
2013 |
Bella di notte |
Luciano Emmer |
1997 |
Bella e perduta |
Pietro Marcello |
2015 |
Bells of Atlantis |
Ian Hugo |
1952 |
Bent Time |
Barbara Hammer |
1983 |
Bere bitzitzetako bat / Una de sus vidas |
Aitor Gametxo |
2013 |
Between gold |
Jonathan Schwartz |
2011 |
Beyond the One / Al di là dell'uno |
Anna Marziano |
2017 |
Bicentenario |
Pablo Álvarez-Mesa |
2020 |
Big Happiness |
Da Hee Kim, Matthew Koshmrl |
2020 |
Bim bam boom, las luchas morenas! |
|
2014 |
Bird, bath and beyond |
Marie Losier |
2003 |
BIT Plane |
Bureau of Inverse Technology |
1999 |
BLACK AND WHITE |
Kirsty MacDonald |
2006 |
Black Pond |
Jessica Sarah Rinland |
2018 |
Bleierne Wellen |
Helga Fanderl |
2006 |
Blitz Wolf |
Tex Avery |
1942 |
blue mantle |
Rebecca Meyers |
2010 |
Blue Moses |
Stan Barkhage |
1962 |
Boca de Lixo |
Eduardo Coutinho |
1992 |
Bocal aux poissons rouge |
Hermanos Lumière |
1895 |
Bologna Skizzen |
Helga Fanderl |
2001 |
Bonde i Baskerland: Una película de los Pirineos |
Dan Grenholm, Lennart Olson |
1963 |
Bottle |
Kristen Lepore |
2011 |
Bouquets 11-20 |
Rose Lowder |
2005 |
Branka |
Mikel Zatarain |
2013 |
Britton, South Dakota |
Vanessa Renwick |
2003 |
Broadway |
Helga Fanderl |
2006 |
Broadway Mai 95 |
Renate Sami |
1996 |
BUBBY |
Murray Kramer |
1968 |
Buenos días resistencia |
Adrian Orr |
2013 |
Buffalo Common |
Bill Brown |
2003 |
Cabra Marcado para Morrer |
Eduardo Coutinho |
1984 |
CAKE AND STEAK |
Abigail Child |
2002 |
CANEDO |
WeareQQ: Usue Arrieta, Vicente Vázquez |
2010 |
CANNIBAL TOURS |
Dennis O''Rourke |
1988 |
Cantonese Rice |
Mia Ma |
2015 |
Cape Cod |
Renate Sami |
2018 |
Capriccio |
Zoltán Huszárik |
1969 |
Cardón cardinal |
Patricia Esquivias |
2020 |
Carniceros del aire |
Enrique Urdanoz |
1992 |
Carretera de una sola dirección |
Xiana Gómez-Díaz |
2015 |
Carretera de una sola dirección (2015) |
Xiana do Teixeiro |
2015 |
Casa Blanca |
Aleksandra Maciuszek |
2015 |
Casa Vacía |
Jesus Mª Palacios |
2012 |
Cassandro, the Exótico! |
Marie Losier |
2018 |
Ceniza verde |
Pablo Mazzolo |
2019 |
Ceux d'en face |
Jean-Daniel Pollet |
2000 |
Cézanne |
Luke Fowler |
2019 |
Charm Circle |
Nira Burstein |
2021 |
Chartres Series |
Stan Brakhage |
1994 |
Chicago Corner |
Bill Brown |
2009 |
Children |
Marah Al Hassan |
2015 |
Children’s Game #12 / Sillas |
Francis Alÿs |
2012 |
Children’s Games #10 / Papalote |
Francis Alÿs |
2011 |
Children’s Games #16 / Hopscotch |
Francis Alÿs |
2016 |
CHILDREN’S MAGICAL DEATH |
Timothy Asch, Napoleon Chagnon |
1974 |
Chooka |
Parastoo Anoushahpour, Faraz Anoushahpour, Ryan Ferko |
2018 |
Chris Marker: Never Explain, Never Complain |
Jean-Marie Barbe, Arnaud Lambert |
2016 |
Cicha Symfonia (Una sinfonía en silencio) |
Aitor Gametxo |
2016 |
Cidade Pequena |
Diogo Costa Amarante |
2016 |
Cien niños esperando un tren |
Ignacio Agüero |
1988 |
Cine porcino, videomaquia y risastencia |
María Cañas |
2015 |
Cinq minutes de cinéma pur |
Henri Chomette |
1925 |
CLAY |
Naomi Uman |
2008 |
Clockshower |
Gordon Matta-Clark |
1973 |
Clouds |
Marcia Hafif |
1970 |
Clouds |
Peter Gidal |
1969 |
CODA |
Naomi Uman |
2008 |
Colombi |
Luca Ferri |
2016 |
COLOR PERRO QUE HUYE |
Andrés Duque |
2011 |
Cómo filmar una escultura |
|
1989 |
Con aura...senz'aura: Viaggio ai confini dell'arte |
Luciano Emmer |
2003 |
CONCIERTOS |
|
2017 |
Confederation Park |
Bill Brown |
1999 |
Configuration in Black and White / Konfiguration schwarz und weiss |
Helga Fanderl |
2017 |
Contadini del mare |
Vittorio de Seta |
1955 |
Container |
Helga Fanderl |
2011 |
Contretemps |
Jean-Daniel Pollet |
1988 |
Conversaciones |
Magdalena Orellana |
2016 |
Converso |
David Arratibel |
2017 |
Correspondence |
Robert Fenz |
2011 |
Correspondence |
Robert Fenz |
2011 |
CORRESPONDENCIA: JONAS MEKAS - J.L. GUERIN (work in progress) |
José Luis Guerin, Jonas Mekas |
2011 |
Cosses Rares que Passaven Abans |
Frnacina Verdés |
2012 |
Costa da Morte |
Lois Patiño |
2013 |
Coupling |
Stan Brakhage |
1999 |
Creation |
Stan Brakhage |
1979 |
CROSSWALK |
Jeanne Liotta |
2010 |
Cruce postal: del otro nuevo viaje |
Valentina Alvarado |
2015 |
Cruzando caminos con Luce Vigo |
Jem Cohen |
2010 |
Cuarto Oscuro Europeo / European Dark Room |
Greta Alfaro |
2010 |
Curupira |
Félix Blume |
2018 |
Dad's Stick |
John Smith |
2012 |
DANIEL CUBERTA: PROYECTOS |
Daniel Cuberta |
2010 |
Dardara |
Marina Lameiro |
2020 |
Dark Night of the Soul |
Stan Brakhage |
2001 |
DAUGHTER RITE |
Michelle Citron |
1979 |
DE UN CUERPO A ESTA PARTE |
|
2018 |
Dear Jonathan |
Ben Rivers |
2017 |
Death Jump - Franz Reichelt jumps off the Eiffel Tower |
Autor desconocido |
1912 |
Decasia |
Bill Morrison |
2002 |
DEEP SLEEP |
BASMA ALSHARIF |
2014 |
Del tuffarsi e dell'annegarsi |
Paolo Gioli |
1972 |
Den of Tigers |
Jonathan Schwartz |
2002 |
Der Ausländer / The Foreigner |
Thomas Heise |
2004 |
Der klang, die welt... |
Robert Beavers |
2018 |
Der klang, die welt... |
Robert Beavers |
2018 |
Des nuages aux fêlures de la terre |
Philippe Cote |
2007 |
Detour de Force |
Rebecca Baron |
2014 |
Detroit 2010-2016 |
John Price |
2019 |
Deux minutes cinquante secondes |
Joël Ducorroy |
1981 |
Diarios |
Daniel Castro |
2009 |
Die Lage / Condition |
Thomas Heise |
2012 |
Die Schutzfolie |
Renate Sami |
1983 |
Dieu sait quoi |
Jean-Daniel Pollet |
1994 |
Dime Quién era Sanchicorrota |
Jorge Tur |
2013 |
Dime quién era Sanchicorrota (2012) |
Jorge Tur |
2013 |
Diminished Frame |
Robert Beavers |
1970 |
Discurso al hombre en la oscuridad del cine |
Jorge Oteiza |
2017 |
Dislocation Blues |
Sky Hopinka |
2017 |
Dispersal area |
John Price |
2019 |
Document |
Bill Brown |
2011 |
Dog Star Man: Part Three |
|
1963 |
Double take: leader of the syrian revolution commanding a charge |
Lawrence Abu Hamdan |
2014 |
Down Claiborne |
Moira Tierney |
2018 |
Dreams Without Borders |
Muna Al Hariri |
2015 |
Druidas y Chamanes |
Patxi Uriz y Axel O´Mill |
2012 |
Dyketactics |
Barbara Hammer |
1974 |
Early Years |
Morgan Quaintance |
2019 |
Earth in the Mouth |
Ewelina Rosinska |
2020 |
East Coast, West Coast |
Nancy Holt, Robert Smithson |
1969 |
Eat my makeup! |
Marie Losier |
2005 |
Eco |
Xacio Baño |
2015 |
Edwin Parker (Cy) |
Tacita Dean |
2011 |
Eisenzeit / Ironage |
Thomas Heise |
1991 |
Ekphrasis |
Riccardo Giacconi |
2019 |
EL ANDAMIO |
Rogelio Amigo |
1958 |
El deseo de la civilización: notas para el gran vuelo |
Carolina Astudillo Muñoz |
2014 |
El diario de Agustín |
Ignacio Agüero |
2008 |
EL DOCTOR (Work in progress) |
Jesús López-Sanz |
2011 |
El gran vuelo |
Carolina Astudillo Muñoz |
2014 |
EL INTERVALO COTIDIANO DE RESISTENCIA |
Trinh T. Minh-ha |
2018 |
EL INTERVALO COTIDIANO DE RESISTENCIA |
Trinh T. Minh-ha |
2018 |
El Jurado / The Jury |
Virginia García del Pino |
2012 |
El lobby contra el cordero |
José Antonio Maenza |
1968 |
EL MANÁ |
Juan Carrascal-Ynigo |
2010 |
El Modelo / The Model |
Germán Scelso |
2012 |
EL NOSTRE PA DE CADA DIA |
Joan Blanquer i Panadès, Ramón Bardés i Abellà |
1950 |
El otro día |
Ignacio Agüero |
2012 |
El otro mapa de Abauntz (2014) |
Aitor Gametxo |
2014 |
Electrocute your stars |
Marie Losier |
2004 |
Electro-Pythagoras (A Portrait of Martin Bartlett) |
Luke Fowler |
2017 |
Elohim, or Divine Beings, the Energy of Light as Creation |
Nathaniel Dorsky |
2017 |
Emak Bakia Baita / La Casa Emak Bakia |
Oskar Alegria |
2012 |
Enceindre |
Luke Fowler |
2018 |
Encuentros 72, Pamplona |
José Antonio Sistiaga |
1972 |
ENCUENTROS 72, PAMPLONA |
José Antonio Sistiaga |
1972 |
End of Perspective |
Anton Ginzburg |
2015 |
Enero |
Ione Atenea |
2019 |
Entre el mar y el cielo (Serie: Cuentos celestes) |
Irene Iborra |
2005 |
Envío 1. Para Ute Aurand |
Jeannette Muñoz |
2005 |
Envíos |
Jeannette Muñoz |
0 |
Equis Films. Breve historia de un mecenazgo |
Jose Luis Pimoulier Laspeñas |
2013 |
ERIE |
Kevin Jerome Everson |
2010 |
Espagnes I: Comment se debarraser des restes du Cid |
|
1973 |
Euritan |
Irati Gorostidi, Arantza Santesteban |
2017 |
Euritan |
Arantza Santesteban, Irati Gorostidi |
2017 |
Europa |
Hugo Amoedo |
2017 |
Europe, She Loves |
Jan Gassmann |
2016 |
Euskadi |
René Le Hénaff |
1936 |
Evangelio mayor |
Javier Codesal |
2021 |
Events in a Cloud Chamber |
Ashim Ahluwalia |
2016 |
Every Rupture |
Sasha Litvintseva |
2020 |
Excerpts I [Though I now depart…] |
Jorge Suárez-Quiñones Rivas |
2021 |
Excursion dans la lune |
Segundo de Chomón |
1908 |
EXÓTICO (work in progress) |
Elia Urquiza |
2010 |
Expérience du ballon dirigeable, M= Santos-Dumont: II |
Association frères Lumière |
1901 |
EXPO LIO´92 |
María Cañas |
2017 |
Extremos |
Juan Manuel Ferraro, Federico Molentino |
2015 |
Exvotos |
Mercedes Mangrané |
2014 |
Fall |
Tom Dewitt |
1971 |
Family nightmare |
Dustin Guy Defa |
2012 |
Far from Afghanistan |
John Gianvito, Jon Jost, Minda Martin, Travis Wilkerson, Soon-Mi Yoo |
2011 |
FEM |
Campbell X |
2007 |
FESTA MAJOR |
Lorenç Llobet Gràcia |
1933 |
Film balkonowy |
Paweł Łoziński |
2021 |
FILM CLUB |
Jaime Barrios |
1968 |
Film ist. 3.1 |
Gustav Deutsch |
1998 |
Filmtagebuch 1975-85 |
Renate Sami |
2005 |
Finis Terrae |
Jean Epstein |
1929 |
Fireworks |
Kenneth Anger |
1947 |
FIRST CONTACT |
Robin Anderson, Bob Connolly |
1982 |
First Cousin Once Removed |
Alan Berliner |
2012 |
First Weeks |
Robert Beavers |
2013 |
Fischerboote |
Helga Fanderl |
2015 |
FIVE YEAR DIARY, REEL 1. THE BEGINNING- THANKSGIVING, NOVEMBER 3- DECEMBER 13, 1981 |
Anne Charlotte Robertson |
1981 |
FIVE YEAR DIARY, REEL 2. DEFINITIONS OF FAT AND THIN, DECEMBER 13-22, 1981 |
Anne Charlotte Robertson |
1981 |
FIVE YEAR DIARY, REEL 22. A SHORT AFFAIR (AND) GOING CRAZY, AUG. 23- SEPT. 1, 1982 |
|
1982 |
FIVE YEAR DIARY, REEL 80. EMILY DIED, MAY 14- SEPTEMBER 26, 1994 |
Anne Charlotte Robertson |
1994 |
FIVE YEAR DIARY, REEL 81. MOURNING EMILY, SEPTEMBER 17- JANUARY 29, 1995 |
Anne Charlotte Robertson |
1995 |
Flores |
Jorge Jácome |
2017 |
Flowers Blooming in our Throats |
Eva Giolo |
2020 |
Fluid Frontiers |
Ephraim Asili |
2017 |
FOGOS |
MARCOS PÉREZ, MARTIN PAWLEY |
2017 |
FOOTNOTES TO A HOUSE OF LOVE |
Laida Lertxundi |
2007 |
Footnotes to a House of Love |
Laida Lertxundi |
2007 |
For Christian |
Luke Fowler |
2017 |
For them ending |
Jonathan Schwartz |
2005 |
For You |
Peter Todd |
2000 |
FOREIGN PARTS |
Véréna Paravel, J.P. Sniadecki |
2010 |
Forest of Bliss |
Robert Gardner |
1986 |
Forgetting Vietnam |
Trinh T. Minh-ha |
2015 |
Forlorn |
Lynn Loo |
2003 |
Four Diamonds |
Ute Aurand |
2016 |
Foyer |
Ismaïl Bahri |
2016 |
Fragmentos amorosos |
Jeannette Muñoz |
2018 |
Franz |
Ute Aurand |
2011 |
Frauenbründl (für G.) |
Helga Fanderl |
2018 |
Friendly Witness |
Warren Sonbert |
1989 |
From Gulf to Gulf to Gulf |
CAMP (Shaina Anand, Ashok Sukumaran) |
2013 |
From Vincent's House in the Borinage |
José Fernandes |
2016 |
Für P. |
Helga Fanderl |
2016 |
Galaxie |
Gregory J. Markopoulos |
1966 |
Gamelan |
Claudio Caldini |
1981 |
Gegenwart / Consequence |
Thomas Heise |
2012 |
Gelbe Blätter |
Helga Fanderl |
2011 |
Generations |
Barbara Hammer |
2010 |
GET OUT OF THE CAR |
Thom Andersen |
2010 |
Ghosts Before Breakfast |
Hans Richter |
1927 |
GIRL POWER |
Sadie Benning |
1992 |
Gläser |
Helga Fanderl |
2011 |
Glaze of Cathexis |
Stan Brakhage |
1990 |
Gletscher |
Helga Fanderl |
2006 |
Glimpses From a Visit to Orkney in Summer 1995 |
Ute Aurand |
1995-2020 |
Goitik behera, Behetik Gora |
Usue Arrieta, Vicente Vázquez |
2011 |
Goitik behera, behetik gora (2011) |
Usue Arrieta, Vicente Vázquez |
2012 |
Golfhaus |
Helga Fanderl |
2006 |
Gorria |
Maddi Barber |
2020 |
Gosila |
Beatriz Santiago Muñoz |
2018 |
Grabmäler |
Helga Fanderl |
2004 |
GRANADA, 30 AÑOS DESPUÉS |
Cecilia Barriga |
2010 |
GRAVITY WAS EVERYWHERE BACK THEN |
Brent Green |
2010 |
Green Screen Gringo |
Douwe Dijkstra |
2016 |
Große Wasser |
Helga Fanderl |
2012 |
GUANABACOA: CRÓNICA DE MI FAMILIA |
Sara Gómez |
1966 |
Guerra |
Marta Ramos, José Oliveira |
2020 |
Gui aiueo: S |
Go Shibata |
2010 |
Gure Hormek |
Las Chicas de Pasaik (Maider Fernández y María Elorza) |
2016 |
HA TERRA! |
|
2016 |
Hand Held Day |
Gary Beydler |
1974 |
Handful of Dust |
Hope Tucker |
2012 |
Happy Bees |
Margaret Tait |
1955 |
Happy Birthday |
Jonathan Schwartz |
2010 |
Happy birthday |
Jonathan Schwartz |
2010 |
Harriaren erresistentzia |
Gillermo Zuaznabar |
2003 |
Hasta mañana si Dios quiere |
Ainara Vera |
2017 |
He venido a leer la noche |
Manuel Fernández-Valdés |
2019 |
Heathrow |
Dryden Goodwin |
1994 |
HELL ROARING CREEK |
Lucien Castaing-Taylor |
2010 |
Hello Horse! / Zirdzin, hallo! |
Laila Pakalniņa |
2017 |
Hiroshima-Nagasaki, August 1945 |
Erik Barnouw |
1945-1970 |
His Picture in Little |
Tacita Dean |
2017 |
HISTORIA CONTADA POR JEAN DOUGNAC |
Noëlle Pujol |
2010 |
HISTORY AND MEMORY: FOR AKIKO AND TAKASHIGE |
Rea Tajiri |
1991 |
Hoof, Tooth & Claw |
Adam Gutch, Chu-Li Shewring |
2011 |
Hormigas |
Julia Ocker |
2017 |
Hortensia/Beancé |
José Antonio Maenza |
1969 |
Hours for Jerome |
Nathaniel Dorsky |
1966 |
HOW TO ESCAPE FROM STRESS BOXES |
Paper Rad |
2006 |
Hub City |
Bill Brown |
1997 |
Hus |
Inger Lise Hansen |
1998 |
Hydra Decapita |
The Otolith Group |
2010 |
I AM AN OX, I AM A HORSE, I AM A MAN, I AM A WOMAN |
Sally Potter |
1990 |
I hope I´m loud when I´m dead |
Beatrice Gibson |
2018 |
I touched her legs |
Eva Marie Rodbro |
2010 |
I Used to Sleep on the Rooftop / Kenet nam''al sateh |
Angie Obeid |
2017 |
i>Euskadi: le Pays Basque et son folklore / Euskadi été 1982 |
Otar Iosselliani |
1982 |
ICI-BAS |
Comes Chahbazian |
2010 |
If Mama Ain''t Happy, Nobody''s Happy |
Mea de Jong |
2014 |
If the war continues |
Jonathan Schwartz |
2012 |
IFO |
Kevin Jerome Everson |
2017 |
Ikusleak |
Jesús María Palacios |
2018 |
Il castello |
Massimo D'Anolfi, Martina Parenti |
2011 |
Il paradiso terrestre |
Luciano Emmer |
1942 |
Il Piacere / The Pleasure |
|
2011 |
Il pianeta azzurro |
Franco Piavoli |
1982 |
Ils Nous Tueront Tous... |
Sylvain George |
2009 |
Im Glück (Neger) / Lucky (Niggers) |
Thomas Heise |
2006 |
Im Nachtmittagslicht (before Hochzeitsspaziergang) |
Helga Fanderl |
2013 |
Imágenes secretas |
Diana Toucedo |
2012 |
Impresiones en alta atmósfera |
José Antonio Sistiaga |
1989 |
Impresiones para una máquina de luz y sonido |
Los Ingrávidos |
2014 |
Improvisaciones de una ardilla |
Virgina García del Pino |
2017 |
In a year with 13 deaths |
Jonathan Schwartz |
2008 |
In die Erde gebaut |
Ute Aurand |
2008 |
In Ictu Oculi |
Greta Alfaro |
2009 |
In Ictu Oculi (begiak hesteko artean) |
Jorge Moneo Quintana |
2020 |
IN MEMORIAM DE LA ABUELITA MERCEDES MARCET POAL |
Pere Font |
1950 |
In the Street |
Helen Levitt, James Agee, Janice Loeb |
1944-1948 |
Incontrare Picasso |
Luciano Emmer |
2000 |
Indefinite Pitch |
James N. Kienitz Wilkins |
2016 |
India time |
Marcia Hafif |
1978 |
Inoiz ikusi gabeko pelikula |
|
2017 |
Inori |
Pedro González Rubio |
2012 |
Instants |
Hannes Schüpbach |
2012 |
Instructions on how to make a film |
Nazli Dinçel |
2018 |
Interior Ape |
Jonathan Schwartz |
2004 |
Interludios |
Omar A. Razzak |
2016 |
INTO THE MIDDLE OF NOWHERE |
Anna Ewert |
2010 |
Intro: Amos Vogel 2003 in an interview with Paul Cronin |
|
0 |
Intro: Amos Vogel 2003 in an interview with Paul Cronin |
|
0 |
Intro: Amos Vogel 2003 in an interview with Paul Cronin |
|
0 |
Intro: Amos Vogel 2003 in Film as a Subversive Art: Amos Vogel and Cinema 16 by Paul Cronin |
|
0 |
Intro: March 26, 2020: How Little Lori Visited Times Square Read by Matthew |
Amy Bowman |
2020 |
Intro: Marcia & Amos Vogel 2003 in Film as a Subversive Art: Amos Vogel and Cinema 16 by Paul Cronin |
|
0 |
Invisible |
Zofia Pregowska |
2014 |
Invisible |
Víctor Iriarte |
2012 |
INVOCATION OF MY DEMON BROTHER |
Kenneth Anger |
1969 |
Islands of Forgotten Cinemas |
Ivan Ramljak |
2016 |
ISM ISM |
Manuel De Landa |
1979 |
Isole nella laguna |
Luciano Emmer |
1948 |
Itzcóatl |
Los Ingrávidos |
2014 |
J’ai huit ans |
Yann Le Masson, Olga Poliakoff |
1961 |
Jáaji Aprox |
Sky Hopinka |
2015 |
Japan März 2013 |
Renate Sami |
2014 |
Jatiwangi |
George Clark |
2018 |
Jazzoo |
Adam Marko-Nord |
2017 |
Jean-Daniel, parle moi encore! |
Jean-Paul Fargier |
2016 |
Jet Lag |
Eloy Domínguez Serén |
2014 |
Jeune femme à sa fenêtre lisant une lettre |
Jean-Claude Rousseau |
1983 |
Jiíbie |
Laura Huertas Millán |
2019 |
Jour après jour |
Jean-Daniel Pollet |
2006 |
Judy Versus Capitalism |
Mike Hoolboom |
2020 |
Kafka Kamera |
Anne Charlotte Robertson |
1985 |
Kakibaum III |
Helga Fanderl |
2011 |
KALENDAR |
Naomi Uman |
2008 |
Karaoke España |
Colectivo Los hijos |
2014 |
KARL’S PERFECT DAY |
Rirkrit Tiravanija |
2017 |
Karussell |
Helga Fanderl |
2017 |
KILPISJÄRVELLÄ |
Axel Straschnoy |
2012 |
Kinder. Wie die zeit vergeht / Children. As time flies |
Thomas Heise |
2007 |
Kopfüber im Geäst |
Ute Aurand |
2009 |
L´Ordre |
Jean-Daniel Pollet |
1974 |
L’impossible - Pages Arrachées (Songs from the protests) |
Sylvain George |
2009 |
La academia de las musas |
Jose Luis Guerin |
2015 |
La casa de mi padre |
Francina Verdés |
2014 |
La casa del meu pare (2013) |
Francina Verdés Oliva |
2014 |
La casa Emak Bakia (fragmentos) |
Oskar Alegría |
2012 |
LA COSA VUESTRA |
|
2018 |
La cosa vuestra (2017) |
María Cañas |
2018 |
La deuxième nuit |
Eric Pauwels |
2016 |
La espada me la ha regalado |
Miriam Martín |
2019 |
La estrella errante |
Alberto Gracia |
2018 |
La fórmula secreta |
Rubén Gámez |
1965 |
LA NATURALEZA Y SU TEMBLOR |
Tomás Aragay, Idoia Zabaleta |
2018 |
La pel.lícula |
Pedro G. Romero, Archivo F.X |
2005 |
La película jamás vista |
|
2017 |
La Petite fille et son chat |
Hermanos Lumière |
1899 |
La Pieuvre |
Jean Painlevé |
1927 |
La plaza del chafleo |
Iván Argote |
2018 |
La Pluie (Projet pour un texte) |
Marcel Broodthaers |
1969 |
La Région Centrale |
Michael Snow |
1971 |
La Rêve de Sam |
Barbara Schuerrer |
2018 |
La sublime fatica |
Luciano Emmer |
1966 |
La Taranta |
Gianfranco Mingozzi |
1962 |
La Tramuntana |
Alexander Cabeza Trigg |
2020 |
La vía flotante |
Zazpi T'erdi |
2019 |
La vía flotante (2018) |
Zazpi T'erdi |
2019 |
L'Abcdaire de l'amoureuse d'un photographe |
Anahit Simonian |
2016 |
Labo |
Jesús María Palacios |
2019 |
Labor of Love |
Sylvia Schedelbauer |
2020 |
Lampedusa in Winter |
Jakob Brossmann |
2015 |
LANBROA |
Mikel Zatarain |
2010 |
Land Within |
Jenni Kivistö |
2016 |
Las letras |
Pablo Chavarría |
2015 |
Last night I dreamt people were playing football on ice |
Magdalena Orellana |
2018 |
L'Atalante |
Jean Vigo |
1934 |
Laub |
Helga Fanderl |
2010 |
Le Battement d'ailes d'un papillon |
Aleksandr Balagura |
2008 |
Le Bois don’t les rêves sont faits |
Claire Simon |
2015 |
Le Horla |
Jean-Daniel Pollet |
1966 |
Le Saphir de Saint-Louis |
José Luis Guerin |
2015 |
LE SPECTRE ROUGE |
Segundo de Chomón, Ferdinand Zecca |
1907 |
Leonardo da Vinci |
Luciano Emmer |
1952 |
Leopard |
Helga Fanderl |
2012 |
Les éclats (ma gueule, ma révolte, mon nom) |
Sylvain George |
2011 |
Les Morutiers |
Jean-Daniel Pollet |
1966 |
Les prières de Delphine |
Rosine Mbakam |
2021 |
LES STATUES MEURENT AUSSI |
Chris Marker, Alain Resnais |
1953 |
Letter From Your Far-Off Country |
Suneil Sanzgiri |
2020 |
Letter to D.H. in Paris |
David Brooks |
1967 |
Letters |
Dorothy Wiley |
1972 |
Letters to J-C #10 (Broadway) (1991-1999) |
Marcia Hafif |
1999 |
Letters to J-C #6 (Coney Island) (1991-1999) |
Marcia Hafif |
1999 |
LEVE #6 |
Esperanza Collado |
2017 |
Liberty: An Ephemeral Statute |
Rebecca Jane Arthur |
2020 |
Like a passing train 2 |
Kohei Ando |
1978 |
Lilit |
Jaione Camborda |
2015 |
Lisa |
Ute Aurand |
2017 |
Lisa (fuera de competencia) |
Ute Aurand |
2017 |
Listening to the space in my room |
Robert Beavers |
2013 |
Lo indecible |
Carolina Astudillo Muñoz |
2012 |
Locomotion |
Anne Charlotte Robertson |
1981 |
Looking at the Sea |
Peter Hutton |
2001 |
Los caballos mueren al amanecer |
Ione Atenea |
2022 |
Los diablos azules |
Charlotte Bayer-Broc |
2017 |
Los materiales |
Colectivo Los hijos |
2009 |
Louïe |
Helga Fanderl |
2007 |
LOVE AND WORDS ARE POLITICS |
Sylvie Ballyot |
2007 |
Luces del desierto |
Félix Blume |
2020 |
Luukkaankangas, Updated, Revisited |
Dariusz Krezeczek |
2004 |
maɬni – towards the ocean, towards the shore |
Sky Hopinka |
2020 |
Magazine Mouth |
Anne Charlotte Robertson |
1983 |
Maître-vent |
Simon Quéheillard |
2012 |
MAKE IT NEW JOHN |
Duncan Campbell |
2009 |
Making a Diagonal with Music / Hacer una diagonal con la música |
Aura Satz |
2019 |
Making of de Oteiza |
Itziar Añibarro |
2009 |
Malaysian Gods |
Amir Muhammad |
2009 |
Malembe |
Luis Arnías |
2019 |
Man with mirror (performance) |
Guy Sherwin |
1976 |
Mao par lui-même |
René Viénet, Francis Deron, Wu Xing-ming |
1977 |
Marché Salomon |
Beatriz Santiago Muñoz |
2015 |
MARSA ABU GALAWA |
Gerard Holthuis |
2004 |
Maruja enamorada |
Vivi Tellas |
2017 |
Masterclass de Vivi Tellas |
|
2017 |
Materialista, idealista, cinematógrafo, magnetófono, buen chico y sádico |
Carles Candela |
2016 |
Matrulla |
Beatriz Santiago Muñoz |
2014 |
ME BRONI BA / MY WHITE BABY |
Akosua Adoma Owusu |
2008 |
Meditations on Revolution, Part I: Lonely Planet |
Robert Fenz |
1997 |
Meditations on Revolution, Part V.: Foreign City |
Robert Fenz |
2003 |
Méditerranée |
Jean-Daniel Pollet |
1963 |
Medvedek |
Ainhoa Gutiérrez |
2019 |
Mein Bruder. We’ll meet again / My Brother. We’ll meet again |
Thomas Heise |
2005 |
Melon Patches, or Reasons to Go on Living |
Anne Charlotte Robertson |
1998 |
MEMMORTIGO? |
Delmiro de Caralt |
1934 |
Mémoire 14 |
Ahmed Bouanani |
1971 |
Memorial Land |
Bill Brown |
2012 |
Men and Dust |
Lee Dick, Sheldon Dick |
1940 |
Messages |
Guy Sherwin |
1981 |
Messages |
Guy Sherwin |
1981 |
Meteor |
Matthias Muller, Christoph Girardet |
2011 |
Mi camisa huele brillante |
Jorge Tur Moltó |
2008 |
Microfugas |
Alberto Gracia |
2008 |
Midwinter |
Eloy Domínguez Serén |
2014 |
Mille cipressi |
Luca Ferri |
2021 |
Minamata mandala |
Kazuo Hara |
2020 |
MIRA, MI REY |
Ainara Vera, Victor Kossakovsky |
2014 |
Mirror |
Robert Morris |
1971 |
Mitote |
Eugenio Polgovsky |
2012 |
Mocracy - Neverland in Me |
Christian von Borries |
2012 |
Mono Lake |
Nancy Holt, Robert Smithson |
1968-2004 |
Montaña en Sombra / Ecos del Bosque / Na Vibración |
Lois Patiño |
2012 |
Morceaux de conversations avec Jean-Luc Godard |
Alain Fleischer |
2007 |
Mort à Vignole |
Oliver Smolders |
1998 |
Moscou |
Eduardo Coutinho |
2009 |
Mothlight |
Stan Barkhage |
1963 |
Mothlight |
Stan Brakhage |
1963 |
Mountain State |
Bill Brown |
2003 |
Muedra |
Cesar Díaz Meléndez |
2019 |
Muestra de proyectos invitados X Films |
|
2018 |
Mum´s cards |
Luke Fowler |
2018 |
Murmurations |
Rebecca Meyers |
2013 |
Museum Hours |
Jem Cohen |
2012 |
MUTINY - IS THIS WHAT YOU WERE BORN FOR |
ABIGAIL CHILD |
1989 |
My Mom Is an Airplane |
Yulia Aronova |
2013 |
MY NAME IS OONA |
Gunvor Nelson |
1996 |
Nadia |
|
2017 |
Naissance des étoiles #2 |
John Price |
2018 |
Naked Spaces - Living is Round |
Trinh T. Minh-ha |
1985 |
Narciso |
Julio Fermepin |
2020 |
Navarra Cuatro Estaciones: Invierno / Negua |
Pío Caro Baroja |
1971 |
Navarra Cuatro Estaciones: Otoño / Udazkena |
Pío Caro Baroja |
1971 |
Ne travaille pas |
César Vayssié |
2018 |
Nenad |
Mladen Bundalo |
2020 |
NÉNETTE |
Nicolas Philibert |
2010 |
N'Entre Pas Sans Violence Dans La Nuit |
Sylvain George |
2008 |
Neustadt (Stau - Der Stand der Dinge) / Newtown (The State of Things) |
Thomas Heise |
2000 |
New year sun |
Jonathan Schwartz |
2010 |
NEXT (work in progress) |
Elia Urquiza |
2010 |
Night hunter |
Stacey Steers |
2011 |
Nijomasue |
Guy Sherwin |
2018 |
Nimbos |
Jaione Camborda |
2015 |
No Border (Aspettavo Che Scendesse La Sera) |
Sylvain George |
2008 |
NO CRECEN |
José Luis Roig, Ezequiel Degastaldi |
2009 |
No hay regreso a casa |
Yaela Gottlieb |
2021 |
No intenso agora |
Joâo Moreira Salles |
2017 |
Normal Autistic Film |
Miroslav Janek |
2016 |
Norte, adiante |
Eloy Domínguez Serén |
2014 |
NOSTALGIA DE LA LUZ |
Patricio Guzmán |
2010 |
Nostalgie |
Luciano Emmer |
2001 |
NOTAS DE LO EFÍMERO |
Chus Domínguez |
2010 |
Notas de lo efímero (2010) |
Chus Domínguez |
2011 |
Notas, Encantaciones: Parte I |
Alexandra Cuesta |
2020 |
Notes on Bob and Nancy (1970-1977) |
Marcia Hafif |
1970 |
NOTES ON THE OTHER |
Sergio Oksman |
2009 |
Nothing is over nothing |
Jonathan Schwartz |
2008 |
Novos Cinemas |
Jaione Camborda |
2017 |
Now, at last! |
Ben Rivers |
2019 |
Nuestra amiga la luna |
Velasco Broca |
2015 |
Nuestro siglo |
Artavazd Pelechian |
1982 |
Nueva vida |
Kiro Russo |
2015 |
Nueve Sevillas |
Gonzalo García Pelayo, Pedro G. Romero |
2020 |
Nuevo altar |
Velasco Broca |
2017 |
Nuevo altar (2016) |
Velasco Broca |
2017 |
O arrais do mar |
Elisa Celda |
2020 |
O cinema, Manoel de Oliveira e eu |
João Botelho |
2016 |
O Horizon |
The Otolith group |
2018 |
O peixe |
Jonathas de Andrade |
2016 |
O quinto evanxeo de Gaspar Hauser |
Alberto Gracia |
2013 |
o28 |
Otalia Caussé, Geoffroy Collin, Louise Grardel, Antoine Marchand, Robin Merle, Fabien Meyran |
2019 |
Obatala Film |
Sebastian Wiedemann |
2019 |
OBSERVANDO EL CIELO |
Jeanne Liotta |
2007 |
Ofrenda |
Claudio Caldini |
1978 |
Oh My Homeland |
Stephanie Barber |
2019 |
Ojo Guareña |
Edurne Rubio |
2018 |
Old Dog |
Pema Tseden |
2011 |
Oleg y las raras artes |
Andrés Duque |
2016 |
Olmo and the Seagull |
Petra Costa, Lea Glob |
2015 |
OMBRES |
Domènec Jiménez |
1935 |
ON RUBIKS´ROAD |
Laila Pakalnina |
2010 |
ON THIS DAY |
Naomi Uman |
2008 |
Once removed |
Lawrence Abu Hamdan |
2019 |
Once Upon the Blue Moon |
Steve Boot |
2015 |
One, Two, Three |
YULIA ARONOVA |
2015 |
Oneiromancer |
Beatriz Santiago Muñoz |
2017 |
Operación H |
Nestor Basterretxea |
1963 |
Operation Jane Walk |
Leonhard Müllner, Robin Klengel |
2017 |
Optimism |
Deborah Stratman |
2018 |
Orbainak |
Jorge Moneo Quintana |
2019 |
Orbit |
Giuseppe Boccassini |
2016 |
Orfeo filmando en el campo de batalla |
José Antonio Maenza |
1968 |
Orlan meets Genesis |
Marie Losier |
2009 |
Ornitographies |
Xavi Bou |
2017 |
Oteiza |
Itziar Añibarro |
2009 |
Oteiza y la luna |
|
2017 |
OT-IL |
Irati Gorostidi |
2020 |
Overseas |
Sung-A Yoon |
2019 |
P.S. Beirut |
Michael H. Shamberg |
2008 |
Paisaia Bitartean |
Irati Gorostidi |
2016 |
Paisaje Desocupado |
Juan Carlos Quindós de la Fuente |
2015 |
Paisaje inquietante nocturno |
José Antonio Sistiaga |
1991 |
PALMS |
MARY HELENA CLARK |
2015 |
Panorama pris d'un ballon captif |
Association frères Lumière |
1898 |
Paper landscape #2 (performance) |
Guy Sherwin |
2017 |
Papillon d'amour |
Nicolas Provost |
2003 |
Para ver lo que quiero ver necesito más que los ojos |
Arnau Padilla |
2019 |
Paraíso, cerca |
Tamara García Iglesias |
2020 |
Paralelo 28 |
Santiago Bonilla |
2020 |
Parsi |
Eduardo Williams |
2019 |
Pasadena Freeway Stills |
Gary Beydler |
1974 |
Past Perfect |
Jorge Jácome |
2019 |
Paulina |
Ute Aurand |
2011 |
Pelota |
Jørgen Leth |
1983 |
Pelota II |
Jørgen Leth, Olatz Gonzalez Abrisketa |
2015 |
People's Park |
Libbie D. Cohn, J. P. Sniadecki |
2012 |
Perezoso |
Julia Ocker |
2017 |
Performance por Jeannette Muñoz |
|
2020 |
Pflasterzeichen |
Helga Fanderl |
2006 |
Picasso |
Luciano Emmer |
1954 |
Piccolo film decomposto |
Paolo Gioli |
1986 |
Pièce touchée |
Martin Arnold |
1989 |
PIEDRA |
Delmiro de Caralt |
1939 |
Piedras |
Mercedes Mangrané |
2012 |
PIEZA Nº4: ENTRE EL DICTADOR Y YO – DE DICTADORES, ABUELAS Y VERANOS EN SANTANDER |
Elia Urquiza |
2005 |
Pine Barrens |
Nancy Holt |
1975 |
Pio Caro Baroja, la entrevista |
|
2005 |
Pitcher of colored light |
Robert Beavers |
2007 |
Pixillation |
Anne Charlotte Robertson |
1976 |
Plágan |
Koldo Almandoz |
2017 |
Plastic Bag |
Ramin Bahrani |
2009 |
Playback. Ensayo de una despedida |
Agustina Comedi |
2019 |
Podul de Piatrâ/Pont de pedra |
Artur-Pol Camprubí |
2021 |
PODWÓRKA |
Sharon Lockhart |
2009 |
Polly One |
Kevin Jerome Everson |
2018 |
Portraits |
Tacita Dean |
2016 |
Posthaste Perennial Pattern |
Jodie Mack |
2010 |
Pour mémoire |
Jean-Daniel Pollet, Maurice Born |
1979 |
POWERS OF TEN |
Charles, Ray Eames |
1977 |
PREGÀRIA A LA VERGE DELS COLLS |
Lorenç Llobet Gràcia |
1947 |
Pre-Hibernation News |
Jonathan Schwartz |
2005 |
Pre-Image (Blind as the Mother Tongue) |
Hiwa K |
2017 |
PRINCE HOTEL |
Karl Kels |
2003 |
Proba de axilidade |
Jaione Camborda |
2015 |
Propaganda images of the Cultural Revolution (文革宣传画 WenGe XuanChuan Hua) |
Hu Jie, AI XiaoMing |
2014 |
Providence |
Tacita Dean |
2017 |
Proximity |
Inger Lise Hansen |
2006 |
PSEUDOSPHYNX |
Ana Vaz |
2020 |
Public Hearing |
James N. Kienitz Wilkins |
2012 |
Puchuncaví (fragmento de 18’) |
Jeannette Muñoz |
2014 |
Puchuncaví (fragmento de 6’) |
Jeannette Muñoz |
2014 |
Punto de Vista |
Jaione Camborda |
2018 |
PURA VIDA |
Pablo Iraburu, Migueltxo Molina |
2011 |
Qu’ils réposent en révolte (Des Figures de Guerres I) |
Sylvain George |
2010 |
Quebrantos |
Koldo Almandoz, Maria Elorza |
2020 |
Queen |
Kathryn Elkin |
2019 |
Quo Vadis? I |
René Viénet, Bertrand Renaudineau |
2020 |
Rabbit of Seville |
Chuck Jones |
1950 |
Racconto da un affresco |
Luciano Emmer |
1940 |
Raoul Ruiz, contra la ignorancia ficción |
Alejandra Rojo |
2016 |
Rapa das Bestas |
Jaione Camborda |
2017 |
Reassemblage |
Trinh T. Minh-ha |
1982 |
Reconversão |
Thom Andersen |
2012 |
Reddish Blue Memories |
Iván Argote |
2017 |
Reel-Unreel |
Francis Alÿs |
2011 |
Rentrée des classes |
Jacques Rozier |
1956 |
RÉPONSE DE FEMMES (NOTRE CORPS, NOTRE SEXE) |
Agnès Varda |
1975 |
Reserve |
Gerard Ortín Castellví |
2020 |
Restoring the Appearance to Order in 12 Minutes |
Coleen Fitzgibbon |
1974 |
Revolve |
Nancy Holt |
1977 |
RITMES D’UN DIA |
Doménec Jiménez |
1933 |
Ritual in Transfigured Time |
Maya Deren |
1946 |
Rob |
John Price |
2019 |
Roberto Pellegrinaggio |
|
2011 |
ROBINSON IN RUINS |
Patrick Keiller |
2010 |
ROMPIENDO EL SILENCIO |
Rosa Martha Fernández |
1979 |
Rost |
Helga Fanderl |
2010 |
Roswell |
Bill Brown |
1994 |
Rouge Greco Rouge |
J.M. Berzosa |
1972 |
Rubber coated steel |
Lawrence Abu Hamdan |
2017 |
Rushing Green with Horses |
Ute Aurand |
2019 |
Sakura, Sakura |
Ute Aurand |
2015 |
Sandlines - The Story of History |
Francis Alÿs |
2019 |
Sanfelices Treppenhaus |
Helga Fanderl |
2018 |
Santa Marta - Duas Semanas no Morro |
Eduardo Coutinho |
1987 |
Sarasastre - Gala Final |
|
2016 |
Saturn and Beyond |
Declan Clarke |
2021 |
Saute ma ville |
Chantal Akerman |
1968 |
Schatten auf roter Wand |
Helga Fanderl |
2006 |
Schattenbild I |
Helga Fanderl |
2018 |
Schlittschuhlaufen |
Helga Fanderl |
2002 |
sdasa |
|
1111 |
Self-Portrait: Fairy Tale in 47KM |
Mengqi Zhang |
2021 |
Sept. - Oct. 2015, Cizre |
belit sağ |
2015 |
Ser de Luz |
Diana Toucedo |
2010 |
Ser e voltar |
Xacio Baño |
2014 |
SERRAS DA DESORDEM |
Andrea Tonacci |
2005 |
Seven |
|
2019 |
Seven Women at Different Ages |
Krzysztof Kieslowski |
1978 |
She/va |
Marjorie Keller |
1973 |
Short Film Series (1975-2014) |
Guy Sherwin |
1975 |
Shrine |
Robert Todd |
2017 |
Si vamos 28 volvemos 28 |
Jonás Trueba |
2018 |
Si yo fuera tú, me gustarían los Cicatriz |
Jorge Tur Moltó |
2010 |
Siete vigías y una torre |
Manuel Asín |
2004 |
Signal 8 |
Simon Liu |
2019 |
Sisters with Transistors |
Lisa Rovner |
2020 |
Six films infinitesimaux et supertemporels |
Maurice Lemaitre |
1967 |
Sky Blue |
Maki Satake |
2003 |
Sniegs / Snow Crazy |
Laila Pakalnina |
2012 |
Snow |
Geoffrey Jones |
1963 |
Snow Crystals (Yuki no kessho) |
Yoshino Keiji |
1939 |
Sobre la mesa las escaleras |
Magdalena Orellana |
2018 |
Soinu galduen bila / En busca de los sonidos perdidos |
Ainhoa y Aitor Gametxo |
2013 |
Solitary Acts #4 |
Nazli Dinçel |
2015 |
Sólo somos |
Jonás Trueba |
2018 |
Song of Avignon |
Jonas Mekas |
1998 |
Songdelay |
Joan Jonas |
1973 |
Sonia |
Jaime Guerra |
2018 |
Soroa |
Asier Altuna |
2014 |
Soy libre |
Laure Portier |
2021 |
Spin |
Martin Hansen |
1986 |
Spiral Jetty |
Robert Smithson |
1970 |
Stadt der Toten |
Helga Fanderl |
1998 |
Steinerne Stadt |
Helga Fanderl |
2018 |
Strange Object |
Miranda Pennell |
2020 |
Strom |
Helga Fanderl |
2010 |
Sueños de hielo |
Ignacio Agüero |
1993 |
Sun Tunnels |
Nancy Holt |
1978 |
Sunbeam hunter |
Jonathan Schwartz |
2006 |
Sunday |
Dan Drasin |
1961 |
Sur la plage de Belfast |
Henri-François Imbert |
1996 |
Surviving You, Always |
Morgan Quaintance |
2020 |
Swamp |
Nancy Holt, Robert Smithson |
1971 |
Swinging Horses |
|
2011 |
SYMBIOPSYCHOTAXIPLASM: TOMA UNO |
William Greaves |
1968 |
Take Me Home |
Abbas Kiarostami |
2016 |
Take the 5:10 to Dreamland |
Bruce Conner |
1977 |
TALKING HEADS (MUSLIM WOMEN) |
Fathima Nizaruddin |
2010 |
Talking to Myself |
Anne Charlotte Robertson |
1985 |
Tamburine und Tanz |
Helga Fanderl |
1995 |
Tapetum Lucidum |
Pablo Chavarría Gutiérrez |
2012 |
Ten Minutes Before the Flight of Icarus |
Arunas Matelis |
1990 |
Ten Minutes Older |
Herz Frank |
1978 |
TEN SECOND FILM |
Bruce Conner |
1970 |
The all-hearing |
Lawrence Abu Hamdan |
2014 |
The American Sector |
Courtney Stephens, Pacho Velez |
2020 |
The Anabasis of May and Fusako Shigenobu, Masao Adachi, and 27 Years Without Images |
Eric Baudelaire |
2011 |
THE ARBOR |
Clio Barnard |
2010 |
The Art of Flying |
Jan van Ijken |
2015 |
THE BALLAD OF GENESIS AND LADY JAYE |
Marie Losier |
2010 |
The Big Durian |
Amir Muhammad |
2003 |
The Blackest Sea |
Peggy Ahwesh |
2016 |
The Capacity for Adequate Anger |
Vika Kirchenbauer |
2021 |
The Challenge |
Yuri Ancarani |
2016 |
The crack up |
Jonathan Schwartz |
2017 |
The Death of J.P. Cuenca |
João Paulo Cuenca |
2015 |
The Dubai In Me |
Christian Von Borries |
2010 |
THE END |
Alfonso Sánchez Jr. |
1968 |
The External World |
David OReilly |
2010 |
The Factory of the World |
Minna Rainio, Mark Roberts |
2014 |
The Fall of Ikar |
Yuri Shiller |
2003 |
The Firefly Grove |
Tomasz Pilarski |
2020 |
The floor of the world |
Janie Geiser |
2010 |
The Florestine Collection |
Paul Gailiunas, Helen Hill |
2010 |
The Girl, Whose Shadow Reflects the Moon |
Walaa Al Alawi |
2015 |
The Glass Note |
Mary Helena Clark |
2018 |
The Glass System |
Mark Lapore |
2000 |
THE GLUE SNIFFER |
Willie Torres |
1968 |
The Great Art of Knowing |
David Gatten |
2004 |
The Great Ecstasy of the Woodcarver Steiner |
Werner Herzog |
1974 |
The Haunted |
Saodat Ismailova |
2017 |
THE HEROINE OF POST-SOCIALIST LABOUR |
Mare Trallas |
2004 |
The Host |
Miranda Pennell |
2015 |
The Idea of North |
Rebecca Baron |
1995 |
THE INDIAN BOUNDARY LINE |
Thomas Comerford |
2010 |
The Island of St. Matthews |
Kevin J. Everson |
2013 |
THE LAST BUFFALO HUNT |
Lee Anne Schmitt, Lee Lynch |
2010 |
The Last Communist |
Amir Muhammad |
2006 |
The Lion and the Zebra Make God’s Raw Jewels |
Stan Brakhage |
1999 |
The Long Road |
Rafif Al Fadel |
2015 |
The Making of Amarillo Ramp |
Nancy Holt |
1973-2013 |
The Meadow |
Jela Hasler |
2015 |
The Mount of Ants / Il monte delle formiche |
Riccardo Palladino |
2017 |
THE MUSEUM HERO |
Alfonso Sánchez Jr. |
1968 |
The ontological cowboy |
Marie Losier |
2005 |
The Other Side |
Bill Brown |
2006 |
The Place |
Julia Poplawska |
2015 |
THE POTHEADS IN LET´S GET NICE |
Alfonso Sánchez Jr. |
1968 |
The Present |
Robert Frank |
1996 |
The Room Called Heaven |
Laida Lertxundi |
2012 |
The Search |
Pema Tseden |
2009 |
The Shiranui Sea |
Noriaki Tsuchimoto |
1975 |
The silence of Ani |
Francis Alÿs |
2015 |
The Silence of Nature |
Bushra Al Masri |
2015 |
The Silent Holy Stones |
Pema Tseden |
2005 |
The Smoke |
Vladimir Perovic |
2006 |
The Sole of the Foot |
Robert Fenz |
2011 |
The Sound We See: A Pamplona City Symphony + Mursego y Harkatiz Cano |
Colectiva |
2018 |
THE SOUND WE SEE: Sinfonía de la ciudad de Los Angeles |
|
2010 |
THE SOUND WE SEE: Sinfonía de la Ciudad de México |
|
2017 |
The Sun Quartet, part 2: San Juan River |
Colectivo Los Ingrávidos |
2018 |
The Suppliant |
Robert Beavers |
2010 |
The Train Stop |
Sergei Loznitsa |
2000 |
The Tree |
Roya Eshraghi |
2015 |
The Voyagers |
Penny Lane |
2010 |
The Washing Society |
Lizzie Olesker, Lynne Sachs |
2018 |
The wedding present |
Jonathan Schwartz |
2007 |
The Wold-Shadow |
Stan Brakhage |
1972 |
The Works and Days (of Tayoko Shiojiri in the Shiotani Basin) |
C.W. Winter, Anders Edström |
2020 |
The Yellow Bank |
J. P. Sniadecki |
2010 |
Thigh Line Lyre Triangular |
Stan Brakhage |
1961 |
THINGS SAID ONCE |
|
2015 |
This Day Won’t Last |
Mouaad el Salem |
2020 |
This lemons tastes of apple |
Hiwa K |
2011 |
This Means More |
Nicolas Gourault |
2020 |
THIS QUALITY |
Rosalind Nashashibi |
2010 |
TIGRERO |
Mika Kaurismäki |
1994 |
TIJUANA |
Gabino Rodríguez |
2015 |
Time Present |
Alfred Guzzetti |
2013 |
To Pick a Flower |
Shireen Seno |
2021 |
Todo comenzó por el fin |
Luis Ospina |
2015 |
Todo esto es aún más intenso si a esa hora tardía se visita a un amigo para ver cómo le va |
Magdalena Orellana |
2020 |
Toma Dos / Take Two |
Pilar Álvarez |
2012 |
Tombent les heures |
Blanca Camell Galí |
2018 |
Tony Conrad-Dreaminimalist |
Marie Losier |
2008 |
Trampa de luz |
Pablo Marín |
2021 |
Tranquility |
Siegfried A. Fruhauf |
2010 |
TRANSLATING EDWIN HONIG: A POET´S ALZHEIMER |
Alan Berliner |
2010 |
Transparent, I am |
Yuri Muraoka |
2020 |
Treblinka |
Sérgio Tréfaut |
2016 |
Tree Dance |
Gordon Matta-Clark |
1971 |
Tree Reflection: Candle & Clock; Gnats; Hand/Shutter |
Guy Sherwin |
1975 |
Tributes - Pulse |
Bill Morrison |
2011 |
TRICK OR DRINK |
Vanalyne Green |
1985 |
TRILOGÍA DE LA PROPIEDAD PRIVADA |
Nico Pereda |
2018 |
TRISTE TRÓPICO |
Arthur Omar |
1974 |
TRUE LOVE |
Ion de Sosa |
2010 |
TRYPPS #7 (BADLANDS) |
Ben Russell |
2010 |
Tú también lo has vivido |
Jonás Trueba |
2018 |
TÜLAY GERMAN. YEARS OF FIRE AND CINDERS |
Didem Pekün, Barış Doğrusöz |
2010 |
Two Skies |
Lucas Marxt |
2013 |
Two Times in One Space |
Ivan Ladislav Galeta |
1976 |
Txerri-jana |
Oskar Alegría |
2011 |
Ulterior |
Sabrina Muhate |
2014 |
Un día más con Vida |
Raul de la Fuente, Damián Nenow |
2013 |
Un film dramatique |
Éric Baudelaire |
2019 |
Un mito antropológico televisivo / An Anthropological Television Myth |
Maria Helene Bertino, Dario Castelli, Alessandro Gagliardo |
2011 |
Un poco perdido |
Helene Ducrocq |
2017 |
Un relatif horaire |
Yo Ota |
1980 |
Un retrato de N.B. |
Peio Aguirre |
2020 |
UNA AVENTURA VULGAR |
Antonio Crespo |
1953 |
Una Luna de Hierro |
Francisco Rodríguez |
2017 |
UNAKULUK, DEAR LITTLE ONE |
Marie-Hélène Cousineau |
2005 |
Underscan |
Nancy Holt |
1973-1974 |
Une histoire de vent |
Joris Ivens, Marceline Loridan |
1988 |
Une minute vingt-neuf de peinture |
Denis Rousseau Kaplan |
1984 |
Une seconde d´eternité |
Marcel Broodthaers |
1970 |
UNNAMED FILM |
Naomi Uman |
2008 |
untitled part 9: this time |
Jayce Salloum |
2020 |
Ur artean |
Jesús María Palacios, Iñigo Jiménez |
2015 |
Ura sartu zen barrura |
Peru Galbete |
2019 |
Urbia |
Jorge Oteiza |
1960 |
Useful Prophecies |
Rick Prelinger |
2019 |
Utah Sequences |
Nancy Holt |
1970 |
Uts cero |
Javier Aguirre |
1970 |
Uzbek Cotton |
Lluis Escartín |
2013 |
Val del Omar fuera de sus casillas |
Velasco Broca |
2010 |
Valdediós |
Elena Duque |
2019 |
Valparaíso 2011. Observaciones de un turista |
Rubén García López |
2012 |
VAPOR TRAIL (CLARK) |
John Gianvito |
2010 |
Vaterland / Fatherland |
Thomas Heise |
2002 |
Verkehrte Welten / Living in a Reversed World |
Theodor Erismann, Ivo Kohler, Innsbruck University. |
1954 |
Vers Madrid (The Burning Bright)! |
Sylvain George |
2012 |
Vertical Air |
Robert Fenz |
1996 |
Vever (for Barbara) |
Deborah Stratman |
2019 |
VIDEODIARY 2-1-2006 TO PRESENT (work in progress) |
Naomi Uman |
2011 |
Views from home |
Guy Sherwin |
1987 |
Vita Brevis |
Thierry Knauff |
2015 |
Vivian''s Garden |
Rosalind Nashashibi |
2017 |
VOGLIAMO ANCHE LE ROSE |
Alina Marazzi |
2007 |
Volkspolizei - 1985 / Police Department - 1985 |
Thomas Heise |
1985 |
Von Einem Spaziergang |
Helga Fanderl |
1991 |
VRINDAVANA |
Ernesto Baca |
2010 |
W.R. – Misterije organizma / WR: Mysteries of the Organism |
Dušan Makavejev |
1971 |
Walden. Reel #4 |
Jonas Mekas |
1969 |
Walk to station from work |
Lynn Loo |
2013 |
Walled unwalled |
Lawrence Abu Hamdan |
2018 |
Waltz me trust me |
Marie Losier |
2016 |
Warriors Mark |
Helga Fanderl |
2007 |
WASTE no.2 WRECK |
Jan Ijäs |
2016 |
We Fly Again |
Alexandru Vlad |
2016 |
We Make Couples |
Mike Hoolboom |
2016 |
Weegee’s New York |
Arthur Fellig |
1946-1951 |
Weiße Vorhänge |
Helga Fanderl |
2018 |
Wenn du eine Rose siehst |
Renate Sami |
1955 |
What the Water Said, Nos. 1-3 |
David Gatten |
1997 |
Where is the Jungle |
Iván Castiñeiras |
2015 |
Whistleless |
Siri Melchior |
2010 |
Who Is Afraid of Ideology? |
Marwa Arsanios |
2019 |
Why there is something rather than nothing |
Guy Sherwin |
2019 |
Wind |
Joan Jonas |
1968 |
WINDOW |
Naomi Uman |
2008 |
Window Water Baby Moving |
Stan Brakhage |
1959 |
Winter beyond winter |
Jonathan Schwartz |
2016 |
Winterreise, variación |
Inés García |
2017 |
Wittnerchrome Notes I and II |
Nick Collins |
2018 |
Wonder Ring |
Stan Brakhage |
1956 |
Words, Planets |
Laida Lertxundi |
2018 |
Workers Leaving the Factory (Dubai) |
Ben Russell |
2008 |
World of Tomorrow |
Don Hertzfeldt |
2015 |
Wozu denn über diese leute einen film? / Why Make a Film about these People? |
Thomas Heise |
1980 |
WRITING DESIRE |
Ursula Biemann |
2000 |
Writing on the City |
Keywan Karimi |
2015 |
Xulia |
Lur Olaizola |
2019 |
Yali |
Helga Fanderl |
2012 |
Yippie |
Yippie Film Collective |
1968 |
Young & Beautiful |
Marina Lameiro |
2018 |
YOUNG BRAVES |
Michael Jacobsohn |
1968 |
Yours Truly |
Christopher Murray, Charlotte Hoskins, Maddi Barber |
2018 |
Yours truly |
Maddi Barber, Christopher Murray, Charlotte Hoskins |
2018 |
Yumen |
J.P. Sniadecki, Xu Ruotao, Huang Xiang |
2013 |
Zdravi Ljudi Za Razonodu / Litany of Happy People |
Karpo Godina |
1971 |
Zerua blu |
Lur Olaizola |
2020 |
Ziegen |
Helga Fanderl |
1993 |
Zinez / De veras |
Aitor Gametxo |
2013 |