|
Título
|
Director
|
Año
|
| ( ( ( ( ( /*\ ) ) ) ) ) |
Charles Fairbanks, Saúl Kak |
2019 |
| (nostalgia) |
Hollis Frampton |
1971 |
| (Nostalgia) |
Hollis Frampton |
1971 |
| ¡Arriba España! |
José María Berzosa, Ramón Chao y André Camp |
1976 |
| 1973 |
Stefan Ivancic |
2014 |
| 9 secuencias sobre la pantalla |
|
2015 |
| A Place of Work |
Margaret Tait |
1976 |
| A Portrait of Ga |
Margaret Tait |
1952 |
| Aerial |
Margaret Tait |
1974 |
| All These New Relations |
Margaret Tait |
1955 |
| Around the World with Orson Welles (Pays Basque I + Pays Basque II) |
Orson Welles |
1955 |
| Au pays des basques |
Maurice Champreux |
1930 |
| Before We Go |
Jorge León |
2014 |
| Blessed Be This Place |
Carl Olsson |
2013 |
| Calypso |
Margaret Tait |
1955 |
| Cochihza |
Khristine Gillard |
2013 |
| Colour Poems |
Margaret Tait |
1974 |
| Comme des lions de pierre à l'entrée de la nuit |
Olivier Zuchuat |
2012 |
| Croquis en Soule |
Hubert Knapp |
1958 |
| Descripción de una isla |
Rudolf Thome, Cynthia Beatt |
1979 |
| Dos gallinas |
Xiana Gómez-Díaz |
2013 |
| Echo Chamber |
Guillermo Moncayo |
2014 |
| Eclipse |
Margaret Tait |
1973 |
| El canto de la flor |
Otar Iosseliani |
1959 |
| El hombre congelado |
Carolina Campo |
2014 |
| El otro mapa de Abauntz |
Aitor Gametxo |
2014 |
| Ellis Island |
Meredith Monk, Bob Rosen |
1981 |
| Encuentros con entidades |
Xiana Gómez-Díaz |
2013 |
| Episode of the Sea |
Lonnie Van Brummelen, Siebren de Haan |
2014 |
| Garden Pieces |
Margaret Tait |
1988 |
| Happy Bees |
Margaret Tait |
1955 |
| Haru, Island of the Solitary |
Kanerva Cederström, Riikka Tanner |
1998 |
| Huellas |
Diego Gutiérrez, Danniel Danniel |
2014 |
| Hugh Macdiarmid |
Margaret Tait |
1964 |
| Im Lande der Basken |
Herbert Brieger |
1944 |
| Island Song / Island Monologue |
Charlemagne Palestine |
1976 |
| Isole Nella Laguna |
Luciano Emmer, Enrico Gras |
1948 |
| John Macfadyen (The Stripes in the Tartan) |
Margaret Tait |
1970 |
| John y Gena |
Itsaso Arana Baztan |
2012 |
| La celosía |
Isidoro Valcárcel Medina |
1972 |
| La fundición |
Otar Iosseliani |
1964 |
| La invención de lo real |
|
2017 |
| La isla desierta |
Sophie Roger |
2014 |
| Land Makar |
Margaret Tait |
1981 |
| Le chemin d'Ernoa |
Louis Delluc, René Coiffard |
1921 |
| Le Complexe de la salamandre |
Stéphane Manchematin, Serge Steyer |
2014 |
| Le curé basque de Gréciette |
Hubert Knapp |
1958 |
| Letters to Max |
Eric Baudelaire |
2014 |
| Lettres du voyant |
Louis Henderson |
2013 |
| L'ordre |
Jean-Daniel Pollet |
1973 |
| Mambo Cool |
Chris Gude |
2013 |
| Man of Aran |
Robert J. Flaherty |
1934 |
| Maskaradak |
Jean-Dominique Lajoux |
1980 |
| Mor’ vran (El mar de los cuervos) |
Jean Epstein |
1930 |
| My Room Via Ancona |
Margaret Tait |
1951 |
| No escribiré arte con mayúscula |
Luis Deltell, Miguel Álvarez-Fernández |
2014 |
| On the Mountain |
Margaret Tait |
1974 |
| Our Terrible Country |
Mohammad Ali Atassi, Ziad Homsi |
2014 |
| OUT |
Joan Antúnez |
2014 |
| Presentación Revista Secuencias: ¿Para qué sirve un festival? |
|
2015 |
| Proyecto D |
Xiana Gómez-Díaz |
2015 |
| Rainbow’s Gravity |
Mareike Bernien, Kerstin Schroedinger |
2014 |
| Recits d’Ellis Island. Histoires d’errance et d’espoir 1: Traces |
Robert Bober, Georges Perec |
1980 |
| Rochers de la Vierge |
Auguste Lumière, Louis Lumière |
1896 |
| Sanã |
Marcos Pimentel |
2013 |
| Semangat |
Chu-Li Shewring, Adam Gutch |
2010 |
| Sólo te puedo mostrar el color |
Fernando Vílchez Rodríguez |
2014 |
| South to North |
Antoine Boutet |
2014 |
| Super Unit |
Teresa Czepiec |
2014 |
| The Blazing World |
Jessica Bardsley |
2013 |
| The Length |
Iván Torres Hdez. |
2014 |
| The Look of the Place |
Margaret Tait |
1981 |
| The Orquil Burn |
Margaret Tait |
1955 |
| These Walls |
Margaret Tait |
1974 |
| Three Portrait Sketches |
Margaret Tait |
1951 |
| Two Islands |
Jan Ijäs |
2013 |
| Últimas palabras |
Werner Herzog |
1968 |
| Un pequeño monasterio en Toscana |
Otar Iosseliani |
1988 |
| Una nueva generación de productores toma la palabra: hacer cine sigue siendo posible (pese a todo) |
|
2015 |
| Vacaciones |
Xiana Gómez-Díaz |
2013 |
| Viejas canciones georgianas |
Otar Iosseliani |
1969 |
| Way Jambu |
Manu Uranga |
2011 |
| Where I Am Is Here |
Margaret Tait |
1964 |
| Working to Beat the Devil |
Chu-Li Shewring, Adam Gutch |
2014 |
| Y la luz se hizo |
Otar Iosseliani |
1989 |
| Ziburu. Conferencia de Bernardo Atxaga |
|
2015 |
| 025 SUNSET RED |
LAIDA LERTXUNDI |
2016 |
| 1 Metre |
Nicolas Deveaux |
2018 |
| 10 |
Marta Jurkiewicz |
2014 |
| 18 MP |
Amir Muhammad |
2006 |
| 2 de octubre/Lejos de Tlatelolco |
Los Ingrávidos |
2013 |
| 24 frames per second |
Takahiko Ilmura |
1975 |
| 26 rue Saint-Fargeau |
Margaux Guillemard |
2017 |
| 30Km |
Simon Faithfull |
2003 |
| 48 |
Susana de Sousa Dias |
2009 |
| 5 October |
Martin Kollar |
2016 |
| 57,600 Seconds of Invisible Night and Light |
Flatform |
2009 |
| 592 metroz goiti |
Maddi Barber |
2018 |
| 592 metroz goiti |
Maddi Barber |
2018 |
| 6/64 Mama und Papa |
Kurt Kren |
1964 |
| 60 Seconds |
Christoph Girardet |
2002 |
| 6horts |
Amir Muhammad |
2002 |
| 76 minutos y 15 segundos con Abbas Kiarostami |
Seyfolah Samadian |
2016 |
| 778 – LA CHANSON DE ROLAND |
Olivier van der Zee |
2009 |
| 918 GAU |
Arantza Santesteban |
2021 |
| A Depression in the Bay of Bengal |
Mark LaPore |
1996 |
| A Diary for Timothy |
Humphrey Jennings |
1945 |
| À la recherche de Christian B. |
Alain Fleischer |
1989 |
| A la sombra de Perkain |
Fernando Pagola |
2010 |
| A leaf is the sea is a theatre |
Jonathan Schwartz |
2017 |
| A MEMORY OF JOHN EARL |
John Earl McFadden |
1968 |
| A Month of Single Frames |
Lynne Sachs, con y para Barbara Hammer |
2019 |
| A Mystery Inside of a Fact |
Jonathan Schwartz |
2016 |
| A Preface to Red |
Jonathan Schwartz |
2010 |
| A rapa das bestas |
Jaione Camborda |
2017 |
| A set of miniatures = A kind of quiet, an aging process and a certain worry |
Jonathan Schwartz |
2014 |
| A smile is not a paradigm |
Magdalena Orellana |
2018 |
| A Spell to Ward Off the Darkness (Work in Progress) |
Ben Rivers, Ben Russell |
2013 |
| A Tongue Called Mother |
Eva Giolo |
2019 |
| A Very Crafty and Tricky Contrivance |
Greta Alfaro |
2012 |
| Abecedario/C |
Los Ingrávidos |
2014 |
| Abendglitzern |
Helga Fanderl |
2012 |
| Activísimo Pamplona |
Iván Argote |
2019 |
| ADYNATA |
Leslie Thornton |
1983 |
| África 815 (fragmento) |
Pilar Monsell |
2014 |
| AGARRANDO PUEBLO |
Luis Ospina, Carlos Mayolo |
1977 |
| Age Is... |
Stephen Dwoskin |
2012 |
| Agiña |
María Sánchez |
2019 |
| Alain Fleischer |
Alain Fleischer |
2002 |
| Alam Laysa Lana / A World not Ours |
Mahdi Fleifel |
2012 |
| ALDA |
Viera Čákanyová |
2009 |
| Alguna cosa |
Elena Walf |
2015 |
| Aliens |
Luis Lopez Carrasco |
2017 |
| ALL WATER HAS A PERFECT MEMORY |
Natalia Almada |
2001 |
| All'ombra della croce / Under the Shadow of the Cross / A la Sombra de la Cruz |
Alessandro Pugno |
2012 |
| ALLURES |
Jordan Belson |
1961 |
| ALTIPLANO |
Malena Szlam |
2018 |
| Am Meer |
Ute Aurand |
1995 |
| AMA LUR |
Néstor Basterretxea Arzadun, Fernando Larruquert Aguirre |
1968 |
| Amaryllis – a study |
Jayne Parker |
2020 |
| AMERICA´S BEST |
Michael Jacobsohn |
1971 |
| Among the eucalyptuses |
Robert Beavers |
2017 |
| Among Us |
Guido Hendriks |
2014 |
| Amor siempre |
Maider Fernández |
2018 |
| An Object at Rest |
Seth Boyden |
2015 |
| Ancora lucciole |
Maria Elorza |
2018 |
| And the Image Gazes Back |
belit sağ |
2014 |
| Animals moving to the sound of drums |
Jonathan Schwartz |
2013 |
| Another Kind of Girl |
Khaldiya Jibawi |
2015 |
| Antigravitacija (Antigravitación) |
Audrius Stonys |
1995 |
| ANTONIA LLOBET SANS |
Lorenç Llobet Gràcia |
1950 |
| Apiyemiyekî? |
Ana Vaz |
2019 |
| Apologies |
Anne Charlotte Robertson |
1986 |
| Apparatus Sum |
Hollis Frampton |
1972 |
| Apparition |
Ismaïl Bahri |
2019 |
| Apuda de Shouhou / Apuda |
He Yuan |
2010 |
| Aquí se construye |
Ignacio Agüero |
2000 |
| Aquí y allá |
Melisa Liebenthal |
2020 |
| Arabesque for Kenneth Anger |
Marie Menken |
1958 |
| Aranzazu |
Jorge Oteiza |
1969 |
| Árboles |
Colectivo Los hijos |
2013 |
| Arrangement of Skin |
Karsten Krause |
2016 |
| As Canções |
Eduardo Coutinho |
2011 |
| As far as we could get |
Iván Argote |
2017 |
| Ascension |
Stan Brakhage |
2001 |
| Asparagus |
Suzan Pitt |
1979 |
| AT LAND |
MAYA DEREN |
1944 |
| At the Academy |
Guy Sherwin |
1974 |
| At the Edge of Russia |
Michal B. Marczak |
2010 |
| Atlantiques |
Mati Diop |
2009 |
| Atlas |
Jakub Korselt |
2013 |
| Audience |
Barbara Hammer |
1982 |
| Autumn fog (performance) |
Lynn Loo |
2010 |
| AVALANCHE#10 |
|
2018 |
| Avant d'oublier Héliopolis |
Valentin Noujaïm |
2019 |
| Avant pétalos grillados |
Velasco Broca |
2007 |
| Aviary |
Katherin MacInnis |
2013 |
| Ayhan and me - Ayhan ve ben |
belit sağ |
2016 |
| B-52 |
Hartmut Bitomsky |
1998 |
| BABAKIUERIA |
Don Featherstone |
1986 |
| Backyard |
Khaled Abdulwahed |
2018 |
| Bagatelle |
Helga Fanderl |
2017 |
| Baleh-baleh |
Pascale Bodet |
2020 |
| Baronesa |
Juliana Antunes |
2017 |
| Barque sortant du port - Vue N° 9 |
Louis Lumière |
1897 |
| Barriers of Separation |
Raghad Al Khatib |
2015 |
| Basker: Una película del norte de España |
Dan Grenholm, Lennart Olson |
1963 |
| Bassae |
Jean-Daniel Pollet |
1964 |
| Bat El Drinking Water and Other Signs |
Jonathan Schwartz |
2013 |
| Bella di notte |
Luciano Emmer |
1997 |
| Bella e perduta |
Pietro Marcello |
2015 |
| Bells of Atlantis |
Ian Hugo |
1952 |
| Bent Time |
Barbara Hammer |
1983 |
| Bere bitzitzetako bat / Una de sus vidas |
Aitor Gametxo |
2013 |
| Between gold |
Jonathan Schwartz |
2011 |
| Beyond the One / Al di là dell'uno |
Anna Marziano |
2017 |
| Bicentenario |
Pablo Álvarez-Mesa |
2020 |
| Big Happiness |
Da Hee Kim, Matthew Koshmrl |
2020 |
| Bim bam boom, las luchas morenas! |
|
2014 |
| Bird, bath and beyond |
Marie Losier |
2003 |
| BIT Plane |
Bureau of Inverse Technology |
1999 |
| BLACK AND WHITE |
Kirsty MacDonald |
2006 |
| Black Pond |
Jessica Sarah Rinland |
2018 |
| Bleierne Wellen |
Helga Fanderl |
2006 |
| Blitz Wolf |
Tex Avery |
1942 |
| blue mantle |
Rebecca Meyers |
2010 |
| Blue Moses |
Stan Barkhage |
1962 |
| Boca de Lixo |
Eduardo Coutinho |
1992 |
| Bocal aux poissons rouge |
Hermanos Lumière |
1895 |
| Bologna Skizzen |
Helga Fanderl |
2001 |
| Bonde i Baskerland: Una película de los Pirineos |
Dan Grenholm, Lennart Olson |
1963 |
| Bottle |
Kristen Lepore |
2011 |
| Bouquets 11-20 |
Rose Lowder |
2005 |
| Branka |
Mikel Zatarain |
2013 |
| Britton, South Dakota |
Vanessa Renwick |
2003 |
| Broadway |
Helga Fanderl |
2006 |
| Broadway Mai 95 |
Renate Sami |
1996 |
| BUBBY |
Murray Kramer |
1968 |
| Buenos días resistencia |
Adrian Orr |
2013 |
| Buffalo Common |
Bill Brown |
2003 |
| Cabra Marcado para Morrer |
Eduardo Coutinho |
1984 |
| CAKE AND STEAK |
Abigail Child |
2002 |
| CANEDO |
WeareQQ: Usue Arrieta, Vicente Vázquez |
2010 |
| CANNIBAL TOURS |
Dennis O''Rourke |
1988 |
| Cantonese Rice |
Mia Ma |
2015 |
| Cape Cod |
Renate Sami |
2018 |
| Capriccio |
Zoltán Huszárik |
1969 |
| Cardón cardinal |
Patricia Esquivias |
2020 |
| Carniceros del aire |
Enrique Urdanoz |
1992 |
| Carretera de una sola dirección |
Xiana Gómez-Díaz |
2015 |
| Carretera de una sola dirección (2015) |
Xiana do Teixeiro |
2015 |
| Casa Blanca |
Aleksandra Maciuszek |
2015 |
| Casa Vacía |
Jesus Mª Palacios |
2012 |
| Cassandro, the Exótico! |
Marie Losier |
2018 |
| Ceniza verde |
Pablo Mazzolo |
2019 |
| Ceux d'en face |
Jean-Daniel Pollet |
2000 |
| Cézanne |
Luke Fowler |
2019 |
| Charm Circle |
Nira Burstein |
2021 |
| Chartres Series |
Stan Brakhage |
1994 |
| Chicago Corner |
Bill Brown |
2009 |
| Children |
Marah Al Hassan |
2015 |
| Children’s Game #12 / Sillas |
Francis Alÿs |
2012 |
| Children’s Games #10 / Papalote |
Francis Alÿs |
2011 |
| Children’s Games #16 / Hopscotch |
Francis Alÿs |
2016 |
| CHILDREN’S MAGICAL DEATH |
Timothy Asch, Napoleon Chagnon |
1974 |
| Chooka |
Parastoo Anoushahpour, Faraz Anoushahpour, Ryan Ferko |
2018 |
| Chris Marker: Never Explain, Never Complain |
Jean-Marie Barbe, Arnaud Lambert |
2016 |
| Cicha Symfonia (Una sinfonía en silencio) |
Aitor Gametxo |
2016 |
| Cidade Pequena |
Diogo Costa Amarante |
2016 |
| Cien niños esperando un tren |
Ignacio Agüero |
1988 |
| Cine porcino, videomaquia y risastencia |
María Cañas |
2015 |
| Cinq minutes de cinéma pur |
Henri Chomette |
1925 |
| CLAY |
Naomi Uman |
2008 |
| Clockshower |
Gordon Matta-Clark |
1973 |
| Clouds |
Marcia Hafif |
1970 |
| Clouds |
Peter Gidal |
1969 |
| CODA |
Naomi Uman |
2008 |
| Colombi |
Luca Ferri |
2016 |
| COLOR PERRO QUE HUYE |
Andrés Duque |
2011 |
| Cómo filmar una escultura |
|
1989 |
| Con aura...senz'aura: Viaggio ai confini dell'arte |
Luciano Emmer |
2003 |
| CONCIERTOS |
|
2017 |
| Confederation Park |
Bill Brown |
1999 |
| Configuration in Black and White / Konfiguration schwarz und weiss |
Helga Fanderl |
2017 |
| Contadini del mare |
Vittorio de Seta |
1955 |
| Container |
Helga Fanderl |
2011 |
| Contretemps |
Jean-Daniel Pollet |
1988 |
| Conversaciones |
Magdalena Orellana |
2016 |
| Converso |
David Arratibel |
2017 |
| Correspondence |
Robert Fenz |
2011 |
| Correspondence |
Robert Fenz |
2011 |
| CORRESPONDENCIA: JONAS MEKAS - J.L. GUERIN (work in progress) |
José Luis Guerin, Jonas Mekas |
2011 |
| Cosses Rares que Passaven Abans |
Frnacina Verdés |
2012 |
| Costa da Morte |
Lois Patiño |
2013 |
| Coupling |
Stan Brakhage |
1999 |
| Creation |
Stan Brakhage |
1979 |
| CROSSWALK |
Jeanne Liotta |
2010 |
| Cruce postal: del otro nuevo viaje |
Valentina Alvarado |
2015 |
| Cruzando caminos con Luce Vigo |
Jem Cohen |
2010 |
| Cuarto Oscuro Europeo / European Dark Room |
Greta Alfaro |
2010 |
| Curupira |
Félix Blume |
2018 |
| Dad's Stick |
John Smith |
2012 |
| DANIEL CUBERTA: PROYECTOS |
Daniel Cuberta |
2010 |
| Dardara |
Marina Lameiro |
2020 |
| Dark Night of the Soul |
Stan Brakhage |
2001 |
| DAUGHTER RITE |
Michelle Citron |
1979 |
| DE UN CUERPO A ESTA PARTE |
|
2018 |
| Dear Jonathan |
Ben Rivers |
2017 |
| Death Jump - Franz Reichelt jumps off the Eiffel Tower |
Autor desconocido |
1912 |
| Decasia |
Bill Morrison |
2002 |
| DEEP SLEEP |
BASMA ALSHARIF |
2014 |
| Del tuffarsi e dell'annegarsi |
Paolo Gioli |
1972 |
| Den of Tigers |
Jonathan Schwartz |
2002 |
| Der Ausländer / The Foreigner |
Thomas Heise |
2004 |
| Der klang, die welt... |
Robert Beavers |
2018 |
| Der klang, die welt... |
Robert Beavers |
2018 |
| Des nuages aux fêlures de la terre |
Philippe Cote |
2007 |
| Detour de Force |
Rebecca Baron |
2014 |
| Detroit 2010-2016 |
John Price |
2019 |
| Deux minutes cinquante secondes |
Joël Ducorroy |
1981 |
| Diarios |
Daniel Castro |
2009 |
| Die Lage / Condition |
Thomas Heise |
2012 |
| Die Schutzfolie |
Renate Sami |
1983 |
| Dieu sait quoi |
Jean-Daniel Pollet |
1994 |
| Dime Quién era Sanchicorrota |
Jorge Tur |
2013 |
| Dime quién era Sanchicorrota (2012) |
Jorge Tur |
2013 |
| Diminished Frame |
Robert Beavers |
1970 |
| Discurso al hombre en la oscuridad del cine |
Jorge Oteiza |
2017 |
| Dislocation Blues |
Sky Hopinka |
2017 |
| Dispersal area |
John Price |
2019 |
| Document |
Bill Brown |
2011 |
| Dog Star Man: Part Three |
|
1963 |
| Double take: leader of the syrian revolution commanding a charge |
Lawrence Abu Hamdan |
2014 |
| Down Claiborne |
Moira Tierney |
2018 |
| Dreams Without Borders |
Muna Al Hariri |
2015 |
| Druidas y Chamanes |
Patxi Uriz y Axel O´Mill |
2012 |
| Dyketactics |
Barbara Hammer |
1974 |
| Early Years |
Morgan Quaintance |
2019 |
| Earth in the Mouth |
Ewelina Rosinska |
2020 |
| East Coast, West Coast |
Nancy Holt, Robert Smithson |
1969 |
| Eat my makeup! |
Marie Losier |
2005 |
| Eco |
Xacio Baño |
2015 |
| Edwin Parker (Cy) |
Tacita Dean |
2011 |
| Eisenzeit / Ironage |
Thomas Heise |
1991 |
| Ekphrasis |
Riccardo Giacconi |
2019 |
| EL ANDAMIO |
Rogelio Amigo |
1958 |
| El deseo de la civilización: notas para el gran vuelo |
Carolina Astudillo Muñoz |
2014 |
| El diario de Agustín |
Ignacio Agüero |
2008 |
| EL DOCTOR (Work in progress) |
Jesús López-Sanz |
2011 |
| El gran vuelo |
Carolina Astudillo Muñoz |
2014 |
| EL INTERVALO COTIDIANO DE RESISTENCIA |
Trinh T. Minh-ha |
2018 |
| EL INTERVALO COTIDIANO DE RESISTENCIA |
Trinh T. Minh-ha |
2018 |
| El Jurado / The Jury |
Virginia García del Pino |
2012 |
| El lobby contra el cordero |
José Antonio Maenza |
1968 |
| EL MANÁ |
Juan Carrascal-Ynigo |
2010 |
| El Modelo / The Model |
Germán Scelso |
2012 |
| EL NOSTRE PA DE CADA DIA |
Joan Blanquer i Panadès, Ramón Bardés i Abellà |
1950 |
| El otro día |
Ignacio Agüero |
2012 |
| El otro mapa de Abauntz (2014) |
Aitor Gametxo |
2014 |
| Electrocute your stars |
Marie Losier |
2004 |
| Electro-Pythagoras (A Portrait of Martin Bartlett) |
Luke Fowler |
2017 |
| Elohim, or Divine Beings, the Energy of Light as Creation |
Nathaniel Dorsky |
2017 |
| Emak Bakia Baita / La Casa Emak Bakia |
Oskar Alegria |
2012 |
| Enceindre |
Luke Fowler |
2018 |
| Encuentros 72, Pamplona |
José Antonio Sistiaga |
1972 |
| ENCUENTROS 72, PAMPLONA |
José Antonio Sistiaga |
1972 |
| End of Perspective |
Anton Ginzburg |
2015 |
| Enero |
Ione Atenea |
2019 |
| Entre el mar y el cielo (Serie: Cuentos celestes) |
Irene Iborra |
2005 |
| Envío 1. Para Ute Aurand |
Jeannette Muñoz |
2005 |
| Envíos |
Jeannette Muñoz |
0 |
| Equis Films. Breve historia de un mecenazgo |
Jose Luis Pimoulier Laspeñas |
2013 |
| ERIE |
Kevin Jerome Everson |
2010 |
| Espagnes I: Comment se debarraser des restes du Cid |
|
1973 |
| Euritan |
Irati Gorostidi, Arantza Santesteban |
2017 |
| Euritan |
Arantza Santesteban, Irati Gorostidi |
2017 |
| Europa |
Hugo Amoedo |
2017 |
| Europe, She Loves |
Jan Gassmann |
2016 |
| Euskadi |
René Le Hénaff |
1936 |
| Evangelio mayor |
Javier Codesal |
2021 |
| Events in a Cloud Chamber |
Ashim Ahluwalia |
2016 |
| Every Rupture |
Sasha Litvintseva |
2020 |
| Excerpts I [Though I now depart…] |
Jorge Suárez-Quiñones Rivas |
2021 |
| Excursion dans la lune |
Segundo de Chomón |
1908 |
| EXÓTICO (work in progress) |
Elia Urquiza |
2010 |
| Expérience du ballon dirigeable, M= Santos-Dumont: II |
Association frères Lumière |
1901 |
| EXPO LIO´92 |
María Cañas |
2017 |
| Extremos |
Juan Manuel Ferraro, Federico Molentino |
2015 |
| Exvotos |
Mercedes Mangrané |
2014 |
| Fall |
Tom Dewitt |
1971 |
| Family nightmare |
Dustin Guy Defa |
2012 |
| Far from Afghanistan |
John Gianvito, Jon Jost, Minda Martin, Travis Wilkerson, Soon-Mi Yoo |
2011 |
| FEM |
Campbell X |
2007 |
| FESTA MAJOR |
Lorenç Llobet Gràcia |
1933 |
| Film balkonowy |
Paweł Łoziński |
2021 |
| FILM CLUB |
Jaime Barrios |
1968 |
| Film ist. 3.1 |
Gustav Deutsch |
1998 |
| Filmtagebuch 1975-85 |
Renate Sami |
2005 |
| Finis Terrae |
Jean Epstein |
1929 |
| Fireworks |
Kenneth Anger |
1947 |
| FIRST CONTACT |
Robin Anderson, Bob Connolly |
1982 |
| First Cousin Once Removed |
Alan Berliner |
2012 |
| First Weeks |
Robert Beavers |
2013 |
| Fischerboote |
Helga Fanderl |
2015 |
| FIVE YEAR DIARY, REEL 1. THE BEGINNING- THANKSGIVING, NOVEMBER 3- DECEMBER 13, 1981 |
Anne Charlotte Robertson |
1981 |
| FIVE YEAR DIARY, REEL 2. DEFINITIONS OF FAT AND THIN, DECEMBER 13-22, 1981 |
Anne Charlotte Robertson |
1981 |
| FIVE YEAR DIARY, REEL 22. A SHORT AFFAIR (AND) GOING CRAZY, AUG. 23- SEPT. 1, 1982 |
|
1982 |
| FIVE YEAR DIARY, REEL 80. EMILY DIED, MAY 14- SEPTEMBER 26, 1994 |
Anne Charlotte Robertson |
1994 |
| FIVE YEAR DIARY, REEL 81. MOURNING EMILY, SEPTEMBER 17- JANUARY 29, 1995 |
Anne Charlotte Robertson |
1995 |
| Flores |
Jorge Jácome |
2017 |
| Flowers Blooming in our Throats |
Eva Giolo |
2020 |
| Fluid Frontiers |
Ephraim Asili |
2017 |
| FOGOS |
MARCOS PÉREZ, MARTIN PAWLEY |
2017 |
| FOOTNOTES TO A HOUSE OF LOVE |
Laida Lertxundi |
2007 |
| Footnotes to a House of Love |
Laida Lertxundi |
2007 |
| For Christian |
Luke Fowler |
2017 |
| For them ending |
Jonathan Schwartz |
2005 |
| For You |
Peter Todd |
2000 |
| FOREIGN PARTS |
Véréna Paravel, J.P. Sniadecki |
2010 |
| Forest of Bliss |
Robert Gardner |
1986 |
| Forgetting Vietnam |
Trinh T. Minh-ha |
2015 |
| Forlorn |
Lynn Loo |
2003 |
| Four Diamonds |
Ute Aurand |
2016 |
| Foyer |
Ismaïl Bahri |
2016 |
| Fragmentos amorosos |
Jeannette Muñoz |
2018 |
| Franz |
Ute Aurand |
2011 |
| Frauenbründl (für G.) |
Helga Fanderl |
2018 |
| Friendly Witness |
Warren Sonbert |
1989 |
| From Gulf to Gulf to Gulf |
CAMP (Shaina Anand, Ashok Sukumaran) |
2013 |
| From Vincent's House in the Borinage |
José Fernandes |
2016 |
| Für P. |
Helga Fanderl |
2016 |
| Galaxie |
Gregory J. Markopoulos |
1966 |
| Gamelan |
Claudio Caldini |
1981 |
| Gegenwart / Consequence |
Thomas Heise |
2012 |
| Gelbe Blätter |
Helga Fanderl |
2011 |
| Generations |
Barbara Hammer |
2010 |
| GET OUT OF THE CAR |
Thom Andersen |
2010 |
| Ghosts Before Breakfast |
Hans Richter |
1927 |
| GIRL POWER |
Sadie Benning |
1992 |
| Gläser |
Helga Fanderl |
2011 |
| Glaze of Cathexis |
Stan Brakhage |
1990 |
| Gletscher |
Helga Fanderl |
2006 |
| Glimpses From a Visit to Orkney in Summer 1995 |
Ute Aurand |
1995-2020 |
| Goitik behera, Behetik Gora |
Usue Arrieta, Vicente Vázquez |
2011 |
| Goitik behera, behetik gora (2011) |
Usue Arrieta, Vicente Vázquez |
2012 |
| Golfhaus |
Helga Fanderl |
2006 |
| Gorria |
Maddi Barber |
2020 |
| Gosila |
Beatriz Santiago Muñoz |
2018 |
| Grabmäler |
Helga Fanderl |
2004 |
| GRANADA, 30 AÑOS DESPUÉS |
Cecilia Barriga |
2010 |
| GRAVITY WAS EVERYWHERE BACK THEN |
Brent Green |
2010 |
| Green Screen Gringo |
Douwe Dijkstra |
2016 |
| Große Wasser |
Helga Fanderl |
2012 |
| GUANABACOA: CRÓNICA DE MI FAMILIA |
Sara Gómez |
1966 |
| Guerra |
Marta Ramos, José Oliveira |
2020 |
| Gui aiueo: S |
Go Shibata |
2010 |
| Gure Hormek |
Las Chicas de Pasaik (Maider Fernández y María Elorza) |
2016 |
| HA TERRA! |
|
2016 |
| Hand Held Day |
Gary Beydler |
1974 |
| Handful of Dust |
Hope Tucker |
2012 |
| Happy Bees |
Margaret Tait |
1955 |
| Happy Birthday |
Jonathan Schwartz |
2010 |
| Happy birthday |
Jonathan Schwartz |
2010 |
| Harriaren erresistentzia |
Gillermo Zuaznabar |
2003 |
| Hasta mañana si Dios quiere |
Ainara Vera |
2017 |
| He venido a leer la noche |
Manuel Fernández-Valdés |
2019 |
| Heathrow |
Dryden Goodwin |
1994 |
| HELL ROARING CREEK |
Lucien Castaing-Taylor |
2010 |
| Hello Horse! / Zirdzin, hallo! |
Laila Pakalniņa |
2017 |
| Hiroshima-Nagasaki, August 1945 |
Erik Barnouw |
1945-1970 |
| His Picture in Little |
Tacita Dean |
2017 |
| HISTORIA CONTADA POR JEAN DOUGNAC |
Noëlle Pujol |
2010 |
| HISTORY AND MEMORY: FOR AKIKO AND TAKASHIGE |
Rea Tajiri |
1991 |
| Hoof, Tooth & Claw |
Adam Gutch, Chu-Li Shewring |
2011 |
| Hormigas |
Julia Ocker |
2017 |
| Hortensia/Beancé |
José Antonio Maenza |
1969 |
| Hours for Jerome |
Nathaniel Dorsky |
1966 |
| HOW TO ESCAPE FROM STRESS BOXES |
Paper Rad |
2006 |
| Hub City |
Bill Brown |
1997 |
| Hus |
Inger Lise Hansen |
1998 |
| Hydra Decapita |
The Otolith Group |
2010 |
| I AM AN OX, I AM A HORSE, I AM A MAN, I AM A WOMAN |
Sally Potter |
1990 |
| I hope I´m loud when I´m dead |
Beatrice Gibson |
2018 |
| I touched her legs |
Eva Marie Rodbro |
2010 |
| I Used to Sleep on the Rooftop / Kenet nam''al sateh |
Angie Obeid |
2017 |
| i>Euskadi: le Pays Basque et son folklore / Euskadi été 1982 |
Otar Iosselliani |
1982 |
| ICI-BAS |
Comes Chahbazian |
2010 |
| If Mama Ain''t Happy, Nobody''s Happy |
Mea de Jong |
2014 |
| If the war continues |
Jonathan Schwartz |
2012 |
| IFO |
Kevin Jerome Everson |
2017 |
| Ikusleak |
Jesús María Palacios |
2018 |
| Il castello |
Massimo D'Anolfi, Martina Parenti |
2011 |
| Il paradiso terrestre |
Luciano Emmer |
1942 |
| Il Piacere / The Pleasure |
|
2011 |
| Il pianeta azzurro |
Franco Piavoli |
1982 |
| Ils Nous Tueront Tous... |
Sylvain George |
2009 |
| Im Glück (Neger) / Lucky (Niggers) |
Thomas Heise |
2006 |
| Im Nachtmittagslicht (before Hochzeitsspaziergang) |
Helga Fanderl |
2013 |
| Imágenes secretas |
Diana Toucedo |
2012 |
| Impresiones en alta atmósfera |
José Antonio Sistiaga |
1989 |
| Impresiones para una máquina de luz y sonido |
Los Ingrávidos |
2014 |
| Improvisaciones de una ardilla |
Virgina García del Pino |
2017 |
| In a year with 13 deaths |
Jonathan Schwartz |
2008 |
| In die Erde gebaut |
Ute Aurand |
2008 |
| In Ictu Oculi |
Greta Alfaro |
2009 |
| In Ictu Oculi (begiak hesteko artean) |
Jorge Moneo Quintana |
2020 |
| IN MEMORIAM DE LA ABUELITA MERCEDES MARCET POAL |
Pere Font |
1950 |
| In the Street |
Helen Levitt, James Agee, Janice Loeb |
1944-1948 |
| Incontrare Picasso |
Luciano Emmer |
2000 |
| Indefinite Pitch |
James N. Kienitz Wilkins |
2016 |
| India time |
Marcia Hafif |
1978 |
| Inoiz ikusi gabeko pelikula |
|
2017 |
| Inori |
Pedro González Rubio |
2012 |
| Instants |
Hannes Schüpbach |
2012 |
| Instructions on how to make a film |
Nazli Dinçel |
2018 |
| Interior Ape |
Jonathan Schwartz |
2004 |
| Interludios |
Omar A. Razzak |
2016 |
| INTO THE MIDDLE OF NOWHERE |
Anna Ewert |
2010 |
| Intro: Amos Vogel 2003 in an interview with Paul Cronin |
|
0 |
| Intro: Amos Vogel 2003 in an interview with Paul Cronin |
|
0 |
| Intro: Amos Vogel 2003 in an interview with Paul Cronin |
|
0 |
| Intro: Amos Vogel 2003 in Film as a Subversive Art: Amos Vogel and Cinema 16 by Paul Cronin |
|
0 |
| Intro: March 26, 2020: How Little Lori Visited Times Square Read by Matthew |
Amy Bowman |
2020 |
| Intro: Marcia & Amos Vogel 2003 in Film as a Subversive Art: Amos Vogel and Cinema 16 by Paul Cronin |
|
0 |
| Invisible |
Zofia Pregowska |
2014 |
| Invisible |
Víctor Iriarte |
2012 |
| INVOCATION OF MY DEMON BROTHER |
Kenneth Anger |
1969 |
| Islands of Forgotten Cinemas |
Ivan Ramljak |
2016 |
| ISM ISM |
Manuel De Landa |
1979 |
| Isole nella laguna |
Luciano Emmer |
1948 |
| Itzcóatl |
Los Ingrávidos |
2014 |
| J’ai huit ans |
Yann Le Masson, Olga Poliakoff |
1961 |
| Jáaji Aprox |
Sky Hopinka |
2015 |
| Japan März 2013 |
Renate Sami |
2014 |
| Jatiwangi |
George Clark |
2018 |
| Jazzoo |
Adam Marko-Nord |
2017 |
| Jean-Daniel, parle moi encore! |
Jean-Paul Fargier |
2016 |
| Jet Lag |
Eloy Domínguez Serén |
2014 |
| Jeune femme à sa fenêtre lisant une lettre |
Jean-Claude Rousseau |
1983 |
| Jiíbie |
Laura Huertas Millán |
2019 |
| Jour après jour |
Jean-Daniel Pollet |
2006 |
| Judy Versus Capitalism |
Mike Hoolboom |
2020 |
| Kafka Kamera |
Anne Charlotte Robertson |
1985 |
| Kakibaum III |
Helga Fanderl |
2011 |
| KALENDAR |
Naomi Uman |
2008 |
| Karaoke España |
Colectivo Los hijos |
2014 |
| KARL’S PERFECT DAY |
Rirkrit Tiravanija |
2017 |
| Karussell |
Helga Fanderl |
2017 |
| KILPISJÄRVELLÄ |
Axel Straschnoy |
2012 |
| Kinder. Wie die zeit vergeht / Children. As time flies |
Thomas Heise |
2007 |
| Kopfüber im Geäst |
Ute Aurand |
2009 |
| L´Ordre |
Jean-Daniel Pollet |
1974 |
| L’impossible - Pages Arrachées (Songs from the protests) |
Sylvain George |
2009 |
| La academia de las musas |
Jose Luis Guerin |
2015 |
| La casa de mi padre |
Francina Verdés |
2014 |
| La casa del meu pare (2013) |
Francina Verdés Oliva |
2014 |
| La casa Emak Bakia (fragmentos) |
Oskar Alegría |
2012 |
| LA COSA VUESTRA |
|
2018 |
| La cosa vuestra (2017) |
María Cañas |
2018 |
| La deuxième nuit |
Eric Pauwels |
2016 |
| La espada me la ha regalado |
Miriam Martín |
2019 |
| La estrella errante |
Alberto Gracia |
2018 |
| La fórmula secreta |
Rubén Gámez |
1965 |
| LA NATURALEZA Y SU TEMBLOR |
Tomás Aragay, Idoia Zabaleta |
2018 |
| La pel.lícula |
Pedro G. Romero, Archivo F.X |
2005 |
| La película jamás vista |
|
2017 |
| La Petite fille et son chat |
Hermanos Lumière |
1899 |
| La Pieuvre |
Jean Painlevé |
1927 |
| La plaza del chafleo |
Iván Argote |
2018 |
| La Pluie (Projet pour un texte) |
Marcel Broodthaers |
1969 |
| La Région Centrale |
Michael Snow |
1971 |
| La Rêve de Sam |
Barbara Schuerrer |
2018 |
| La sublime fatica |
Luciano Emmer |
1966 |
| La Taranta |
Gianfranco Mingozzi |
1962 |
| La Tramuntana |
Alexander Cabeza Trigg |
2020 |
| La vía flotante |
Zazpi T'erdi |
2019 |
| La vía flotante (2018) |
Zazpi T'erdi |
2019 |
| L'Abcdaire de l'amoureuse d'un photographe |
Anahit Simonian |
2016 |
| Labo |
Jesús María Palacios |
2019 |
| Labor of Love |
Sylvia Schedelbauer |
2020 |
| Lampedusa in Winter |
Jakob Brossmann |
2015 |
| LANBROA |
Mikel Zatarain |
2010 |
| Land Within |
Jenni Kivistö |
2016 |
| Las letras |
Pablo Chavarría |
2015 |
| Last night I dreamt people were playing football on ice |
Magdalena Orellana |
2018 |
| L'Atalante |
Jean Vigo |
1934 |
| Laub |
Helga Fanderl |
2010 |
| Le Battement d'ailes d'un papillon |
Aleksandr Balagura |
2008 |
| Le Bois don’t les rêves sont faits |
Claire Simon |
2015 |
| Le Horla |
Jean-Daniel Pollet |
1966 |
| Le Saphir de Saint-Louis |
José Luis Guerin |
2015 |
| LE SPECTRE ROUGE |
Segundo de Chomón, Ferdinand Zecca |
1907 |
| Leonardo da Vinci |
Luciano Emmer |
1952 |
| Leopard |
Helga Fanderl |
2012 |
| Les éclats (ma gueule, ma révolte, mon nom) |
Sylvain George |
2011 |
| Les Morutiers |
Jean-Daniel Pollet |
1966 |
| Les prières de Delphine |
Rosine Mbakam |
2021 |
| LES STATUES MEURENT AUSSI |
Chris Marker, Alain Resnais |
1953 |
| Letter From Your Far-Off Country |
Suneil Sanzgiri |
2020 |
| Letter to D.H. in Paris |
David Brooks |
1967 |
| Letters |
Dorothy Wiley |
1972 |
| Letters to J-C #10 (Broadway) (1991-1999) |
Marcia Hafif |
1999 |
| Letters to J-C #6 (Coney Island) (1991-1999) |
Marcia Hafif |
1999 |
| LEVE #6 |
Esperanza Collado |
2017 |
| Liberty: An Ephemeral Statute |
Rebecca Jane Arthur |
2020 |
| Like a passing train 2 |
Kohei Ando |
1978 |
| Lilit |
Jaione Camborda |
2015 |
| Lisa |
Ute Aurand |
2017 |
| Lisa (fuera de competencia) |
Ute Aurand |
2017 |
| Listening to the space in my room |
Robert Beavers |
2013 |
| Lo indecible |
Carolina Astudillo Muñoz |
2012 |
| Locomotion |
Anne Charlotte Robertson |
1981 |
| Looking at the Sea |
Peter Hutton |
2001 |
| Los caballos mueren al amanecer |
Ione Atenea |
2022 |
| Los diablos azules |
Charlotte Bayer-Broc |
2017 |
| Los materiales |
Colectivo Los hijos |
2009 |
| Louïe |
Helga Fanderl |
2007 |
| LOVE AND WORDS ARE POLITICS |
Sylvie Ballyot |
2007 |
| Luces del desierto |
Félix Blume |
2020 |
| Luukkaankangas, Updated, Revisited |
Dariusz Krezeczek |
2004 |
| maɬni – towards the ocean, towards the shore |
Sky Hopinka |
2020 |
| Magazine Mouth |
Anne Charlotte Robertson |
1983 |
| Maître-vent |
Simon Quéheillard |
2012 |
| MAKE IT NEW JOHN |
Duncan Campbell |
2009 |
| Making a Diagonal with Music / Hacer una diagonal con la música |
Aura Satz |
2019 |
| Making of de Oteiza |
Itziar Añibarro |
2009 |
| Malaysian Gods |
Amir Muhammad |
2009 |
| Malembe |
Luis Arnías |
2019 |
| Man with mirror (performance) |
Guy Sherwin |
1976 |
| Mao par lui-même |
René Viénet, Francis Deron, Wu Xing-ming |
1977 |
| Marché Salomon |
Beatriz Santiago Muñoz |
2015 |
| MARSA ABU GALAWA |
Gerard Holthuis |
2004 |
| Maruja enamorada |
Vivi Tellas |
2017 |
| Masterclass de Vivi Tellas |
|
2017 |
| Materialista, idealista, cinematógrafo, magnetófono, buen chico y sádico |
Carles Candela |
2016 |
| Matrulla |
Beatriz Santiago Muñoz |
2014 |
| ME BRONI BA / MY WHITE BABY |
Akosua Adoma Owusu |
2008 |
| Meditations on Revolution, Part I: Lonely Planet |
Robert Fenz |
1997 |
| Meditations on Revolution, Part V.: Foreign City |
Robert Fenz |
2003 |
| Méditerranée |
Jean-Daniel Pollet |
1963 |
| Medvedek |
Ainhoa Gutiérrez |
2019 |
| Mein Bruder. We’ll meet again / My Brother. We’ll meet again |
Thomas Heise |
2005 |
| Melon Patches, or Reasons to Go on Living |
Anne Charlotte Robertson |
1998 |
| MEMMORTIGO? |
Delmiro de Caralt |
1934 |
| Mémoire 14 |
Ahmed Bouanani |
1971 |
| Memorial Land |
Bill Brown |
2012 |
| Men and Dust |
Lee Dick, Sheldon Dick |
1940 |
| Messages |
Guy Sherwin |
1981 |
| Messages |
Guy Sherwin |
1981 |
| Meteor |
Matthias Muller, Christoph Girardet |
2011 |
| Mi camisa huele brillante |
Jorge Tur Moltó |
2008 |
| Microfugas |
Alberto Gracia |
2008 |
| Midwinter |
Eloy Domínguez Serén |
2014 |
| Mille cipressi |
Luca Ferri |
2021 |
| Minamata mandala |
Kazuo Hara |
2020 |
| MIRA, MI REY |
Ainara Vera, Victor Kossakovsky |
2014 |
| Mirror |
Robert Morris |
1971 |
| Mitote |
Eugenio Polgovsky |
2012 |
| Mocracy - Neverland in Me |
Christian von Borries |
2012 |
| Mono Lake |
Nancy Holt, Robert Smithson |
1968-2004 |
| Montaña en Sombra / Ecos del Bosque / Na Vibración |
Lois Patiño |
2012 |
| Morceaux de conversations avec Jean-Luc Godard |
Alain Fleischer |
2007 |
| Mort à Vignole |
Oliver Smolders |
1998 |
| Moscou |
Eduardo Coutinho |
2009 |
| Mothlight |
Stan Barkhage |
1963 |
| Mothlight |
Stan Brakhage |
1963 |
| Mountain State |
Bill Brown |
2003 |
| Muedra |
Cesar Díaz Meléndez |
2019 |
| Muestra de proyectos invitados X Films |
|
2018 |
| Mum´s cards |
Luke Fowler |
2018 |
| Murmurations |
Rebecca Meyers |
2013 |
| Museum Hours |
Jem Cohen |
2012 |
| MUTINY - IS THIS WHAT YOU WERE BORN FOR |
ABIGAIL CHILD |
1989 |
| My Mom Is an Airplane |
Yulia Aronova |
2013 |
| MY NAME IS OONA |
Gunvor Nelson |
1996 |
| Nadia |
|
2017 |
| Naissance des étoiles #2 |
John Price |
2018 |
| Naked Spaces - Living is Round |
Trinh T. Minh-ha |
1985 |
| Narciso |
Julio Fermepin |
2020 |
| Navarra Cuatro Estaciones: Invierno / Negua |
Pío Caro Baroja |
1971 |
| Navarra Cuatro Estaciones: Otoño / Udazkena |
Pío Caro Baroja |
1971 |
| Ne travaille pas |
César Vayssié |
2018 |
| Nenad |
Mladen Bundalo |
2020 |
| NÉNETTE |
Nicolas Philibert |
2010 |
| N'Entre Pas Sans Violence Dans La Nuit |
Sylvain George |
2008 |
| Neustadt (Stau - Der Stand der Dinge) / Newtown (The State of Things) |
Thomas Heise |
2000 |
| New year sun |
Jonathan Schwartz |
2010 |
| NEXT (work in progress) |
Elia Urquiza |
2010 |
| Night hunter |
Stacey Steers |
2011 |
| Nijomasue |
Guy Sherwin |
2018 |
| Nimbos |
Jaione Camborda |
2015 |
| No Border (Aspettavo Che Scendesse La Sera) |
Sylvain George |
2008 |
| NO CRECEN |
José Luis Roig, Ezequiel Degastaldi |
2009 |
| No hay regreso a casa |
Yaela Gottlieb |
2021 |
| No intenso agora |
Joâo Moreira Salles |
2017 |
| Normal Autistic Film |
Miroslav Janek |
2016 |
| Norte, adiante |
Eloy Domínguez Serén |
2014 |
| NOSTALGIA DE LA LUZ |
Patricio Guzmán |
2010 |
| Nostalgie |
Luciano Emmer |
2001 |
| NOTAS DE LO EFÍMERO |
Chus Domínguez |
2010 |
| Notas de lo efímero (2010) |
Chus Domínguez |
2011 |
| Notas, Encantaciones: Parte I |
Alexandra Cuesta |
2020 |
| Notes on Bob and Nancy (1970-1977) |
Marcia Hafif |
1970 |
| NOTES ON THE OTHER |
Sergio Oksman |
2009 |
| Nothing is over nothing |
Jonathan Schwartz |
2008 |
| Novos Cinemas |
Jaione Camborda |
2017 |
| Now, at last! |
Ben Rivers |
2019 |
| Nuestra amiga la luna |
Velasco Broca |
2015 |
| Nuestro siglo |
Artavazd Pelechian |
1982 |
| Nueva vida |
Kiro Russo |
2015 |
| Nueve Sevillas |
Gonzalo García Pelayo, Pedro G. Romero |
2020 |
| Nuevo altar |
Velasco Broca |
2017 |
| Nuevo altar (2016) |
Velasco Broca |
2017 |
| O arrais do mar |
Elisa Celda |
2020 |
| O cinema, Manoel de Oliveira e eu |
João Botelho |
2016 |
| O Horizon |
The Otolith group |
2018 |
| O peixe |
Jonathas de Andrade |
2016 |
| O quinto evanxeo de Gaspar Hauser |
Alberto Gracia |
2013 |
| o28 |
Otalia Caussé, Geoffroy Collin, Louise Grardel, Antoine Marchand, Robin Merle, Fabien Meyran |
2019 |
| Obatala Film |
Sebastian Wiedemann |
2019 |
| OBSERVANDO EL CIELO |
Jeanne Liotta |
2007 |
| Ofrenda |
Claudio Caldini |
1978 |
| Oh My Homeland |
Stephanie Barber |
2019 |
| Ojo Guareña |
Edurne Rubio |
2018 |
| Old Dog |
Pema Tseden |
2011 |
| Oleg y las raras artes |
Andrés Duque |
2016 |
| Olmo and the Seagull |
Petra Costa, Lea Glob |
2015 |
| OMBRES |
Domènec Jiménez |
1935 |
| ON RUBIKS´ROAD |
Laila Pakalnina |
2010 |
| ON THIS DAY |
Naomi Uman |
2008 |
| Once removed |
Lawrence Abu Hamdan |
2019 |
| Once Upon the Blue Moon |
Steve Boot |
2015 |
| One, Two, Three |
YULIA ARONOVA |
2015 |
| Oneiromancer |
Beatriz Santiago Muñoz |
2017 |
| Operación H |
Nestor Basterretxea |
1963 |
| Operation Jane Walk |
Leonhard Müllner, Robin Klengel |
2017 |
| Optimism |
Deborah Stratman |
2018 |
| Orbainak |
Jorge Moneo Quintana |
2019 |
| Orbit |
Giuseppe Boccassini |
2016 |
| Orfeo filmando en el campo de batalla |
José Antonio Maenza |
1968 |
| Orlan meets Genesis |
Marie Losier |
2009 |
| Ornitographies |
Xavi Bou |
2017 |
| Oteiza |
Itziar Añibarro |
2009 |
| Oteiza y la luna |
|
2017 |
| OT-IL |
Irati Gorostidi |
2020 |
| Overseas |
Sung-A Yoon |
2019 |
| P.S. Beirut |
Michael H. Shamberg |
2008 |
| Paisaia Bitartean |
Irati Gorostidi |
2016 |
| Paisaje Desocupado |
Juan Carlos Quindós de la Fuente |
2015 |
| Paisaje inquietante nocturno |
José Antonio Sistiaga |
1991 |
| PALMS |
MARY HELENA CLARK |
2015 |
| Panorama pris d'un ballon captif |
Association frères Lumière |
1898 |
| Paper landscape #2 (performance) |
Guy Sherwin |
2017 |
| Papillon d'amour |
Nicolas Provost |
2003 |
| Para ver lo que quiero ver necesito más que los ojos |
Arnau Padilla |
2019 |
| Paraíso, cerca |
Tamara García Iglesias |
2020 |
| Paralelo 28 |
Santiago Bonilla |
2020 |
| Parsi |
Eduardo Williams |
2019 |
| Pasadena Freeway Stills |
Gary Beydler |
1974 |
| Past Perfect |
Jorge Jácome |
2019 |
| Paulina |
Ute Aurand |
2011 |
| Pelota |
Jørgen Leth |
1983 |
| Pelota II |
Jørgen Leth, Olatz Gonzalez Abrisketa |
2015 |
| People's Park |
Libbie D. Cohn, J. P. Sniadecki |
2012 |
| Perezoso |
Julia Ocker |
2017 |
| Performance por Jeannette Muñoz |
|
2020 |
| Pflasterzeichen |
Helga Fanderl |
2006 |
| Picasso |
Luciano Emmer |
1954 |
| Piccolo film decomposto |
Paolo Gioli |
1986 |
| Pièce touchée |
Martin Arnold |
1989 |
| PIEDRA |
Delmiro de Caralt |
1939 |
| Piedras |
Mercedes Mangrané |
2012 |
| PIEZA Nº4: ENTRE EL DICTADOR Y YO – DE DICTADORES, ABUELAS Y VERANOS EN SANTANDER |
Elia Urquiza |
2005 |
| Pine Barrens |
Nancy Holt |
1975 |
| Pio Caro Baroja, la entrevista |
|
2005 |
| Pitcher of colored light |
Robert Beavers |
2007 |
| Pixillation |
Anne Charlotte Robertson |
1976 |
| Plágan |
Koldo Almandoz |
2017 |
| Plastic Bag |
Ramin Bahrani |
2009 |
| Playback. Ensayo de una despedida |
Agustina Comedi |
2019 |
| Podul de Piatrâ/Pont de pedra |
Artur-Pol Camprubí |
2021 |
| PODWÓRKA |
Sharon Lockhart |
2009 |
| Polly One |
Kevin Jerome Everson |
2018 |
| Portraits |
Tacita Dean |
2016 |
| Posthaste Perennial Pattern |
Jodie Mack |
2010 |
| Pour mémoire |
Jean-Daniel Pollet, Maurice Born |
1979 |
| POWERS OF TEN |
Charles, Ray Eames |
1977 |
| PREGÀRIA A LA VERGE DELS COLLS |
Lorenç Llobet Gràcia |
1947 |
| Pre-Hibernation News |
Jonathan Schwartz |
2005 |
| Pre-Image (Blind as the Mother Tongue) |
Hiwa K |
2017 |
| PRINCE HOTEL |
Karl Kels |
2003 |
| Proba de axilidade |
Jaione Camborda |
2015 |
| Propaganda images of the Cultural Revolution (文革宣传画 WenGe XuanChuan Hua) |
Hu Jie, AI XiaoMing |
2014 |
| Providence |
Tacita Dean |
2017 |
| Proximity |
Inger Lise Hansen |
2006 |
| PSEUDOSPHYNX |
Ana Vaz |
2020 |
| Public Hearing |
James N. Kienitz Wilkins |
2012 |
| Puchuncaví (fragmento de 18’) |
Jeannette Muñoz |
2014 |
| Puchuncaví (fragmento de 6’) |
Jeannette Muñoz |
2014 |
| Punto de Vista |
Jaione Camborda |
2018 |
| PURA VIDA |
Pablo Iraburu, Migueltxo Molina |
2011 |
| Qu’ils réposent en révolte (Des Figures de Guerres I) |
Sylvain George |
2010 |
| Quebrantos |
Koldo Almandoz, Maria Elorza |
2020 |
| Queen |
Kathryn Elkin |
2019 |
| Quo Vadis? I |
René Viénet, Bertrand Renaudineau |
2020 |
| Rabbit of Seville |
Chuck Jones |
1950 |
| Racconto da un affresco |
Luciano Emmer |
1940 |
| Raoul Ruiz, contra la ignorancia ficción |
Alejandra Rojo |
2016 |
| Rapa das Bestas |
Jaione Camborda |
2017 |
| Reassemblage |
Trinh T. Minh-ha |
1982 |
| Reconversão |
Thom Andersen |
2012 |
| Reddish Blue Memories |
Iván Argote |
2017 |
| Reel-Unreel |
Francis Alÿs |
2011 |
| Rentrée des classes |
Jacques Rozier |
1956 |
| RÉPONSE DE FEMMES (NOTRE CORPS, NOTRE SEXE) |
Agnès Varda |
1975 |
| Reserve |
Gerard Ortín Castellví |
2020 |
| Restoring the Appearance to Order in 12 Minutes |
Coleen Fitzgibbon |
1974 |
| Revolve |
Nancy Holt |
1977 |
| RITMES D’UN DIA |
Doménec Jiménez |
1933 |
| Ritual in Transfigured Time |
Maya Deren |
1946 |
| Rob |
John Price |
2019 |
| Roberto Pellegrinaggio |
|
2011 |
| ROBINSON IN RUINS |
Patrick Keiller |
2010 |
| ROMPIENDO EL SILENCIO |
Rosa Martha Fernández |
1979 |
| Rost |
Helga Fanderl |
2010 |
| Roswell |
Bill Brown |
1994 |
| Rouge Greco Rouge |
J.M. Berzosa |
1972 |
| Rubber coated steel |
Lawrence Abu Hamdan |
2017 |
| Rushing Green with Horses |
Ute Aurand |
2019 |
| Sakura, Sakura |
Ute Aurand |
2015 |
| Sandlines - The Story of History |
Francis Alÿs |
2019 |
| Sanfelices Treppenhaus |
Helga Fanderl |
2018 |
| Santa Marta - Duas Semanas no Morro |
Eduardo Coutinho |
1987 |
| Sarasastre - Gala Final |
|
2016 |
| Saturn and Beyond |
Declan Clarke |
2021 |
| Saute ma ville |
Chantal Akerman |
1968 |
| Schatten auf roter Wand |
Helga Fanderl |
2006 |
| Schattenbild I |
Helga Fanderl |
2018 |
| Schlittschuhlaufen |
Helga Fanderl |
2002 |
| sdasa |
|
1111 |
| Self-Portrait: Fairy Tale in 47KM |
Mengqi Zhang |
2021 |
| Sept. - Oct. 2015, Cizre |
belit sağ |
2015 |
| Ser de Luz |
Diana Toucedo |
2010 |
| Ser e voltar |
Xacio Baño |
2014 |
| SERRAS DA DESORDEM |
Andrea Tonacci |
2005 |
| Seven |
|
2019 |
| Seven Women at Different Ages |
Krzysztof Kieslowski |
1978 |
| She/va |
Marjorie Keller |
1973 |
| Short Film Series (1975-2014) |
Guy Sherwin |
1975 |
| Shrine |
Robert Todd |
2017 |
| Si vamos 28 volvemos 28 |
Jonás Trueba |
2018 |
| Si yo fuera tú, me gustarían los Cicatriz |
Jorge Tur Moltó |
2010 |
| Siete vigías y una torre |
Manuel Asín |
2004 |
| Signal 8 |
Simon Liu |
2019 |
| Sisters with Transistors |
Lisa Rovner |
2020 |
| Six films infinitesimaux et supertemporels |
Maurice Lemaitre |
1967 |
| Sky Blue |
Maki Satake |
2003 |
| Sniegs / Snow Crazy |
Laila Pakalnina |
2012 |
| Snow |
Geoffrey Jones |
1963 |
| Snow Crystals (Yuki no kessho) |
Yoshino Keiji |
1939 |
| Sobre la mesa las escaleras |
Magdalena Orellana |
2018 |
| Soinu galduen bila / En busca de los sonidos perdidos |
Ainhoa y Aitor Gametxo |
2013 |
| Solitary Acts #4 |
Nazli Dinçel |
2015 |
| Sólo somos |
Jonás Trueba |
2018 |
| Song of Avignon |
Jonas Mekas |
1998 |
| Songdelay |
Joan Jonas |
1973 |
| Sonia |
Jaime Guerra |
2018 |
| Soroa |
Asier Altuna |
2014 |
| Soy libre |
Laure Portier |
2021 |
| Spin |
Martin Hansen |
1986 |
| Spiral Jetty |
Robert Smithson |
1970 |
| Stadt der Toten |
Helga Fanderl |
1998 |
| Steinerne Stadt |
Helga Fanderl |
2018 |
| Strange Object |
Miranda Pennell |
2020 |
| Strom |
Helga Fanderl |
2010 |
| Sueños de hielo |
Ignacio Agüero |
1993 |
| Sun Tunnels |
Nancy Holt |
1978 |
| Sunbeam hunter |
Jonathan Schwartz |
2006 |
| Sunday |
Dan Drasin |
1961 |
| Sur la plage de Belfast |
Henri-François Imbert |
1996 |
| Surviving You, Always |
Morgan Quaintance |
2020 |
| Swamp |
Nancy Holt, Robert Smithson |
1971 |
| Swinging Horses |
|
2011 |
| SYMBIOPSYCHOTAXIPLASM: TOMA UNO |
William Greaves |
1968 |
| Take Me Home |
Abbas Kiarostami |
2016 |
| Take the 5:10 to Dreamland |
Bruce Conner |
1977 |
| TALKING HEADS (MUSLIM WOMEN) |
Fathima Nizaruddin |
2010 |
| Talking to Myself |
Anne Charlotte Robertson |
1985 |
| Tamburine und Tanz |
Helga Fanderl |
1995 |
| Tapetum Lucidum |
Pablo Chavarría Gutiérrez |
2012 |
| Ten Minutes Before the Flight of Icarus |
Arunas Matelis |
1990 |
| Ten Minutes Older |
Herz Frank |
1978 |
| TEN SECOND FILM |
Bruce Conner |
1970 |
| The all-hearing |
Lawrence Abu Hamdan |
2014 |
| The American Sector |
Courtney Stephens, Pacho Velez |
2020 |
| The Anabasis of May and Fusako Shigenobu, Masao Adachi, and 27 Years Without Images |
Eric Baudelaire |
2011 |
| THE ARBOR |
Clio Barnard |
2010 |
| The Art of Flying |
Jan van Ijken |
2015 |
| THE BALLAD OF GENESIS AND LADY JAYE |
Marie Losier |
2010 |
| The Big Durian |
Amir Muhammad |
2003 |
| The Blackest Sea |
Peggy Ahwesh |
2016 |
| The Capacity for Adequate Anger |
Vika Kirchenbauer |
2021 |
| The Challenge |
Yuri Ancarani |
2016 |
| The crack up |
Jonathan Schwartz |
2017 |
| The Death of J.P. Cuenca |
João Paulo Cuenca |
2015 |
| The Dubai In Me |
Christian Von Borries |
2010 |
| THE END |
Alfonso Sánchez Jr. |
1968 |
| The External World |
David OReilly |
2010 |
| The Factory of the World |
Minna Rainio, Mark Roberts |
2014 |
| The Fall of Ikar |
Yuri Shiller |
2003 |
| The Firefly Grove |
Tomasz Pilarski |
2020 |
| The floor of the world |
Janie Geiser |
2010 |
| The Florestine Collection |
Paul Gailiunas, Helen Hill |
2010 |
| The Girl, Whose Shadow Reflects the Moon |
Walaa Al Alawi |
2015 |
| The Glass Note |
Mary Helena Clark |
2018 |
| The Glass System |
Mark Lapore |
2000 |
| THE GLUE SNIFFER |
Willie Torres |
1968 |
| The Great Art of Knowing |
David Gatten |
2004 |
| The Great Ecstasy of the Woodcarver Steiner |
Werner Herzog |
1974 |
| The Haunted |
Saodat Ismailova |
2017 |
| THE HEROINE OF POST-SOCIALIST LABOUR |
Mare Trallas |
2004 |
| The Host |
Miranda Pennell |
2015 |
| The Idea of North |
Rebecca Baron |
1995 |
| THE INDIAN BOUNDARY LINE |
Thomas Comerford |
2010 |
| The Island of St. Matthews |
Kevin J. Everson |
2013 |
| THE LAST BUFFALO HUNT |
Lee Anne Schmitt, Lee Lynch |
2010 |
| The Last Communist |
Amir Muhammad |
2006 |
| The Lion and the Zebra Make God’s Raw Jewels |
Stan Brakhage |
1999 |
| The Long Road |
Rafif Al Fadel |
2015 |
| The Making of Amarillo Ramp |
Nancy Holt |
1973-2013 |
| The Meadow |
Jela Hasler |
2015 |
| The Mount of Ants / Il monte delle formiche |
Riccardo Palladino |
2017 |
| THE MUSEUM HERO |
Alfonso Sánchez Jr. |
1968 |
| The ontological cowboy |
Marie Losier |
2005 |
| The Other Side |
Bill Brown |
2006 |
| The Place |
Julia Poplawska |
2015 |
| THE POTHEADS IN LET´S GET NICE |
Alfonso Sánchez Jr. |
1968 |
| The Present |
Robert Frank |
1996 |
| The Room Called Heaven |
Laida Lertxundi |
2012 |
| The Search |
Pema Tseden |
2009 |
| The Shiranui Sea |
Noriaki Tsuchimoto |
1975 |
| The silence of Ani |
Francis Alÿs |
2015 |
| The Silence of Nature |
Bushra Al Masri |
2015 |
| The Silent Holy Stones |
Pema Tseden |
2005 |
| The Smoke |
Vladimir Perovic |
2006 |
| The Sole of the Foot |
Robert Fenz |
2011 |
| The Sound We See: A Pamplona City Symphony + Mursego y Harkatiz Cano |
Colectiva |
2018 |
| THE SOUND WE SEE: Sinfonía de la ciudad de Los Angeles |
|
2010 |
| THE SOUND WE SEE: Sinfonía de la Ciudad de México |
|
2017 |
| The Sun Quartet, part 2: San Juan River |
Colectivo Los Ingrávidos |
2018 |
| The Suppliant |
Robert Beavers |
2010 |
| The Train Stop |
Sergei Loznitsa |
2000 |
| The Tree |
Roya Eshraghi |
2015 |
| The Voyagers |
Penny Lane |
2010 |
| The Washing Society |
Lizzie Olesker, Lynne Sachs |
2018 |
| The wedding present |
Jonathan Schwartz |
2007 |
| The Wold-Shadow |
Stan Brakhage |
1972 |
| The Works and Days (of Tayoko Shiojiri in the Shiotani Basin) |
C.W. Winter, Anders Edström |
2020 |
| The Yellow Bank |
J. P. Sniadecki |
2010 |
| Thigh Line Lyre Triangular |
Stan Brakhage |
1961 |
| THINGS SAID ONCE |
|
2015 |
| This Day Won’t Last |
Mouaad el Salem |
2020 |
| This lemons tastes of apple |
Hiwa K |
2011 |
| This Means More |
Nicolas Gourault |
2020 |
| THIS QUALITY |
Rosalind Nashashibi |
2010 |
| TIGRERO |
Mika Kaurismäki |
1994 |
| TIJUANA |
Gabino Rodríguez |
2015 |
| Time Present |
Alfred Guzzetti |
2013 |
| To Pick a Flower |
Shireen Seno |
2021 |
| Todo comenzó por el fin |
Luis Ospina |
2015 |
| Todo esto es aún más intenso si a esa hora tardía se visita a un amigo para ver cómo le va |
Magdalena Orellana |
2020 |
| Toma Dos / Take Two |
Pilar Álvarez |
2012 |
| Tombent les heures |
Blanca Camell Galí |
2018 |
| Tony Conrad-Dreaminimalist |
Marie Losier |
2008 |
| Trampa de luz |
Pablo Marín |
2021 |
| Tranquility |
Siegfried A. Fruhauf |
2010 |
| TRANSLATING EDWIN HONIG: A POET´S ALZHEIMER |
Alan Berliner |
2010 |
| Transparent, I am |
Yuri Muraoka |
2020 |
| Treblinka |
Sérgio Tréfaut |
2016 |
| Tree Dance |
Gordon Matta-Clark |
1971 |
| Tree Reflection: Candle & Clock; Gnats; Hand/Shutter |
Guy Sherwin |
1975 |
| Tributes - Pulse |
Bill Morrison |
2011 |
| TRICK OR DRINK |
Vanalyne Green |
1985 |
| TRILOGÍA DE LA PROPIEDAD PRIVADA |
Nico Pereda |
2018 |
| TRISTE TRÓPICO |
Arthur Omar |
1974 |
| TRUE LOVE |
Ion de Sosa |
2010 |
| TRYPPS #7 (BADLANDS) |
Ben Russell |
2010 |
| Tú también lo has vivido |
Jonás Trueba |
2018 |
| TÜLAY GERMAN. YEARS OF FIRE AND CINDERS |
Didem Pekün, Barış Doğrusöz |
2010 |
| Two Skies |
Lucas Marxt |
2013 |
| Two Times in One Space |
Ivan Ladislav Galeta |
1976 |
| Txerri-jana |
Oskar Alegría |
2011 |
| Ulterior |
Sabrina Muhate |
2014 |
| Un día más con Vida |
Raul de la Fuente, Damián Nenow |
2013 |
| Un film dramatique |
Éric Baudelaire |
2019 |
| Un mito antropológico televisivo / An Anthropological Television Myth |
Maria Helene Bertino, Dario Castelli, Alessandro Gagliardo |
2011 |
| Un poco perdido |
Helene Ducrocq |
2017 |
| Un relatif horaire |
Yo Ota |
1980 |
| Un retrato de N.B. |
Peio Aguirre |
2020 |
| UNA AVENTURA VULGAR |
Antonio Crespo |
1953 |
| Una Luna de Hierro |
Francisco Rodríguez |
2017 |
| UNAKULUK, DEAR LITTLE ONE |
Marie-Hélène Cousineau |
2005 |
| Underscan |
Nancy Holt |
1973-1974 |
| Une histoire de vent |
Joris Ivens, Marceline Loridan |
1988 |
| Une minute vingt-neuf de peinture |
Denis Rousseau Kaplan |
1984 |
| Une seconde d´eternité |
Marcel Broodthaers |
1970 |
| UNNAMED FILM |
Naomi Uman |
2008 |
| untitled part 9: this time |
Jayce Salloum |
2020 |
| Ur artean |
Jesús María Palacios, Iñigo Jiménez |
2015 |
| Ura sartu zen barrura |
Peru Galbete |
2019 |
| Urbia |
Jorge Oteiza |
1960 |
| Useful Prophecies |
Rick Prelinger |
2019 |
| Utah Sequences |
Nancy Holt |
1970 |
| Uts cero |
Javier Aguirre |
1970 |
| Uzbek Cotton |
Lluis Escartín |
2013 |
| Val del Omar fuera de sus casillas |
Velasco Broca |
2010 |
| Valdediós |
Elena Duque |
2019 |
| Valparaíso 2011. Observaciones de un turista |
Rubén García López |
2012 |
| VAPOR TRAIL (CLARK) |
John Gianvito |
2010 |
| Vaterland / Fatherland |
Thomas Heise |
2002 |
| Verkehrte Welten / Living in a Reversed World |
Theodor Erismann, Ivo Kohler, Innsbruck University. |
1954 |
| Vers Madrid (The Burning Bright)! |
Sylvain George |
2012 |
| Vertical Air |
Robert Fenz |
1996 |
| Vever (for Barbara) |
Deborah Stratman |
2019 |
| VIDEODIARY 2-1-2006 TO PRESENT (work in progress) |
Naomi Uman |
2011 |
| Views from home |
Guy Sherwin |
1987 |
| Vita Brevis |
Thierry Knauff |
2015 |
| Vivian''s Garden |
Rosalind Nashashibi |
2017 |
| VOGLIAMO ANCHE LE ROSE |
Alina Marazzi |
2007 |
| Volkspolizei - 1985 / Police Department - 1985 |
Thomas Heise |
1985 |
| Von Einem Spaziergang |
Helga Fanderl |
1991 |
| VRINDAVANA |
Ernesto Baca |
2010 |
| W.R. – Misterije organizma / WR: Mysteries of the Organism |
Dušan Makavejev |
1971 |
| Walden. Reel #4 |
Jonas Mekas |
1969 |
| Walk to station from work |
Lynn Loo |
2013 |
| Walled unwalled |
Lawrence Abu Hamdan |
2018 |
| Waltz me trust me |
Marie Losier |
2016 |
| Warriors Mark |
Helga Fanderl |
2007 |
| WASTE no.2 WRECK |
Jan Ijäs |
2016 |
| We Fly Again |
Alexandru Vlad |
2016 |
| We Make Couples |
Mike Hoolboom |
2016 |
| Weegee’s New York |
Arthur Fellig |
1946-1951 |
| Weiße Vorhänge |
Helga Fanderl |
2018 |
| Wenn du eine Rose siehst |
Renate Sami |
1955 |
| What the Water Said, Nos. 1-3 |
David Gatten |
1997 |
| Where is the Jungle |
Iván Castiñeiras |
2015 |
| Whistleless |
Siri Melchior |
2010 |
| Who Is Afraid of Ideology? |
Marwa Arsanios |
2019 |
| Why there is something rather than nothing |
Guy Sherwin |
2019 |
| Wind |
Joan Jonas |
1968 |
| WINDOW |
Naomi Uman |
2008 |
| Window Water Baby Moving |
Stan Brakhage |
1959 |
| Winter beyond winter |
Jonathan Schwartz |
2016 |
| Winterreise, variación |
Inés García |
2017 |
| Wittnerchrome Notes I and II |
Nick Collins |
2018 |
| Wonder Ring |
Stan Brakhage |
1956 |
| Words, Planets |
Laida Lertxundi |
2018 |
| Workers Leaving the Factory (Dubai) |
Ben Russell |
2008 |
| World of Tomorrow |
Don Hertzfeldt |
2015 |
| Wozu denn über diese leute einen film? / Why Make a Film about these People? |
Thomas Heise |
1980 |
| WRITING DESIRE |
Ursula Biemann |
2000 |
| Writing on the City |
Keywan Karimi |
2015 |
| Xulia |
Lur Olaizola |
2019 |
| Yali |
Helga Fanderl |
2012 |
| Yippie |
Yippie Film Collective |
1968 |
| Young & Beautiful |
Marina Lameiro |
2018 |
| YOUNG BRAVES |
Michael Jacobsohn |
1968 |
| Yours Truly |
Christopher Murray, Charlotte Hoskins, Maddi Barber |
2018 |
| Yours truly |
Maddi Barber, Christopher Murray, Charlotte Hoskins |
2018 |
| Yumen |
J.P. Sniadecki, Xu Ruotao, Huang Xiang |
2013 |
| Zdravi Ljudi Za Razonodu / Litany of Happy People |
Karpo Godina |
1971 |
| Zerua blu |
Lur Olaizola |
2020 |
| Ziegen |
Helga Fanderl |
1993 |
| Zinez / De veras |
Aitor Gametxo |
2013 |
