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International
Documentary
Film Festival
of Navarra
27.03-01.04.23
Pamplona
Iruña
International
Documentary
Film Festival
of Navarra

14-19.03.22
Pamplona
Iruña
home  |   2022 edition  |  official selection  |  programmes  |  the capacity for adequate anger
PROGRAMME 7
The Capacity for Adequate Anger


Country: Germany
Year: 2021
Duration: 15'
Projection format: DCP
Colour: Colour
Language: English
Direction: Vika Kirchenbauer
Cinematographer: Vika Kirchenbauer
Editor: Vika Kirchenbauer
Sound: Vika Kirchenbauer
Production: Vika Kirchenbauer

Selected filmography: The Capacity for Adequate Anger (2021), Untitled Sequence Of Gaps (2020),The Island Of Perpetual Tickling (2018), Welcome Address (2017), She Whose Blood Is Clotting In My Underwear (2016), You Are Boring! (2015), Please Relax Now (2014), Like Rats Leaving A Sinking Ship (2012).

Toronto International Film Festival, New York Film Festival, Festival du nouveau cinéma de Montréal, Doclisboa, Viennale, Pravo Ljudski Film Festival.


Spanish premiere

 

An artist is preparing her first solo exhibition. She produces a short film for the occasion. A film which reflects on where she is and also where she comes from. A film made of photos and cartoons. Mostly of photos. Stills. And, between the stills, almost always, a black screen. A film made in part, almost without us realising it, with no images. A discontinuous film. A film made of discontinuities and about discontinuities. The discontinuity between the artist's present and past. Between her family and herself. Between her and herself. Between what was her social class and what is now her class. Between what she wants to speak about and what she can speak about. Between her childhood in a village dreaming of becoming an athlete or designing fashion to escape from there, and her present as an artist who came out of there. Between what she feels (shame, anxiety, irritation) and what she thinks she ought to feel (indignation, anger). The artist's narration, soft, with a unique rhythm, seeks, perhaps, to express what cannot be found in the images, continuities between worlds, between past and present. It seeks a meaning or, at least, some meanings. Meaning is, perhaps, a form of continuity, something that makes it possible to move from one image to another, to jump over the discontinuity that separates them. But perhaps there are no meanings or solutions in this film. Perhaps it is just personal, made of details, fragments, vulnerabilities, contradictions, a story.



Pablo García Canga

Promoted by
Gobierno de Navarra
Organized by
NICDO
With the aid of
Con la financiación del Gobierno de España. Instituto de la Cinematografía y las Artes AudiovisualesAcción Cultural EspañolaPlan de Recuperación, Transformación y ResilienciaFinanciado por la Unión Europea. NexGenerationEU
With the support of
Ayuntamiento de PamplonaCentro de Arte Contemporáneo de HuarteFundación Caja NavarraGoethe InstitutCanadá InternationalCasa ÁrabeCineteca MadridAsociación de Mujeres Cineastas y de Medios AudiovisualesInstitut FrançaisEmbajada de Portugal en MadridCamões - Instituto da Cooperação e da Língua Portugal
Member of
PantallaIberofestLa MestaThe Red Balloon
Partners
Filmoteca de Navarra
Museo Oteiza
Museo Nacional Centro de Arte Reina Sofía
Elías Querejeta Zine Eskola
Festival de Cine Africano FCAT
Festival Scope
Centre Cinématographique Marocain
Hotel Tres Reyes
Hotel Maisonave
Cineteca Bologna
The Film Foundation
World Cinema Project
Cinemateca Portuguesa
NAPAR
Radio 3
Golem
Filmoteca Española
Antartika
Festivals in Navarre
Punto de Vista
NIFF - Navarra International Film Festival
Navarra, tierra de cine
Ópera Prima
Skimetraje
CTL 59
#LabMeCrazy! Science Film Festival
Festival de Cine y Dentistas
Horror Online Art
FICBE (Festival Internacional de Cortos de Berriozar)
FAN, Festival de Anime de Navarra
Lo que viene
Muestra de cine español
Filmmaking for social change
Muestra Internacional de Cine y Mujeres de Pamplona

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