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International
Documentary
Film Festival
of Navarra
27.03-01.04.23
Pamplona
Iruña
International
Documentary
Film Festival
of Navarra

14-19.03.22
Pamplona
Iruña
home  |   2022 edition  |  official selection  |  programmes  |  los caballos mueren al amanecer
OPENING FILM
Los caballos mueren al amanecer


Country: Spain
Year: 2022
Duration: 81'
Projection format: DCP
Colour: Colour
Language: Spanish
Direction: Ione Atenea
Writer: Ione Atenea, Diana Toucedo
Cinematographer: Ione Atenea
Editor: Diana Toucedo
Sound: Jordi Ribas
Production: Hiruki Filmak, Zazpi T'erdi, Ione Atenea, Garazi Erburu, Iñaki Sagastume

Selected filmography: Los caballos mueren al amanecer (2022), Enero (2019), 24/07 (2016).


Out of competiton. Opening night

World premiere 

At least two ways of making films come together here. The first is the film made by Ione Atenea in search of the three brothers and sisters who left the vestiges of their lives in a little house in Vallcarca, and the second is the one that these brothers and sisters ─Antonio, Rosita and Juanito─ thought up in order to give full rein to their unbridled interests and creativity. The eldest brother earned his living as a cartoonist for the Bruguera publishing company, the sister started a career as an opera singer, while the younger brother appears not to have had any career at all, something which also requires talent. They always lived together and one of their interests was to recreate scenes from Westerns, which we assume they did in the non-urbanised areas around Barcelona. Rosita was a consummate horsewoman and the neighbourhood children used to be dazzled when they saw her appear unexpectedly, mounted on the back of a sleek horse. On their death, the hundreds of photos they took of these films with no audience, the scripts and stories they wrote, the recordings of their collaborations on the radio, as well as huge collections of comics and records, remained shut away and forgotten until the appearance of some unexpected heiresses: the film director Ione Atenea and her friends. When they entered the abandoned house, they began to suspect that there was a sense to those objects that had lost their owners. And so, as if it were a collage, Atenea composes a portrait of these individuals, who are not exactly unknown, and offers us two axioms as if they were stolen from a Western set: that horses die at daybreak and that, when someone wants to shoot a film, they always end up finding a way to do so. 

Bárbara Mingo Costales

Promoted by
Gobierno de Navarra
Organized by
NICDO
With the aid of
Con la financiación del Gobierno de España. Instituto de la Cinematografía y las Artes AudiovisualesAcción Cultural EspañolaPlan de Recuperación, Transformación y ResilienciaFinanciado por la Unión Europea. NexGenerationEU
With the support of
Ayuntamiento de PamplonaCentro de Arte Contemporáneo de HuarteFundación Caja NavarraGoethe InstitutCanadá InternationalCasa ÁrabeCineteca MadridAsociación de Mujeres Cineastas y de Medios AudiovisualesInstitut FrançaisEmbajada de Portugal en MadridCamões - Instituto da Cooperação e da Língua Portugal
Member of
PantallaIberofestLa MestaThe Red Balloon
Partners
Filmoteca de Navarra
Museo Oteiza
Museo Nacional Centro de Arte Reina Sofía
Elías Querejeta Zine Eskola
Festival de Cine Africano FCAT
Festival Scope
Centre Cinématographique Marocain
Hotel Tres Reyes
Hotel Maisonave
Cineteca Bologna
The Film Foundation
World Cinema Project
Cinemateca Portuguesa
NAPAR
Radio 3
Golem
Filmoteca Española
Antartika
Festivals in Navarre
Punto de Vista
NIFF - Navarra International Film Festival
Navarra, tierra de cine
Ópera Prima
Skimetraje
CTL 59
#LabMeCrazy! Science Film Festival
Festival de Cine y Dentistas
Horror Online Art
FICBE (Festival Internacional de Cortos de Berriozar)
FAN, Festival de Anime de Navarra
Lo que viene
Muestra de cine español
Filmmaking for social change
Muestra Internacional de Cine y Mujeres de Pamplona

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